女たち

Hiyama Fuyumi (Nakama Yukie) is considered to be Japan's best brain surgeon, but her links to a series of past murders has made her nearly unemployable. Still, the Director of the university hospital she once trained at wants her to come back and perform an important surgery on an ailing soccer player. But the hospital holds some dark secrets in its past; ones that may come forth and bring more deaths around Fuyumi...

Midori is a university student that finds part-time work at a hostess club, near the end of Japan's "Bubble Economy," in the late 80s. She agrees to become the mistress of one of the wealthy young patrons for two million yen a month, but then the bubble bursts...

Nagisa, the heroine, has the ability to “synch” with all the powerful emotions that linger in crime scenes. When this happens though, she blacks out. Even in her day-to-day life, she can hear people's evil intentions and true colors and senses their lies and deception. That is why she always wears headphones in order to shut out people's emotions. She works well with her colleagues at the "Red Spider Lily" (Higanbana) unit, who are all brutally honest acid-tongued women with no qualms about speaking their minds. "Red Spider Lily" is an eclectic unit that includes a science geek, a single mom, and a woman who grew up abroad. Seen by many as a department that's been taken off the main career track, "Red Spider Lily" turns out to be full of fabulous detectives!

A timid young woman who lives with her domineering mother accepts an Adult Video scout's offer to "become somebody else" by performing in porn videos. As she rises in popularity, the boundaries between her two lives begin to disintegrate.

A television drama aired on November 3, 1983 as a special project to celebrate the 25th anniversary of the founding of Yomiuri Television and the 30th anniversary of the founding of Nippon Television.

Sake is a traditional alcoholic beverage from Japan and is otherwise known as rice wine. Women were prohibited from entering the many large and small sake breweries dotting Japan for centuries. However, times have changed and women are present on the sake scene today. In several cases, they are integral to the Japanese brewery business. The documentary depicts women who are not only enthusiasts, but also leaving their marks on the evolution of this Japanese mainstay.

A group of female commandos confront evil criminals Zombie-Man and Zombie-Woman.

Matsuoi and his wife Tsuya moved to Oshima City because of her unpredictable character. Even though Tsuya continues to have affairs, Matsuoi loves her and is a devoted husband. Tsuya is then diagnosed with a cancer and later goes into a coma. Matsuoi then thinks of his wife's lovers. Matsui goes to those men and informs them of Tatsuya's condition. The other women in the lives of those men are shocked and begin to re-examine their views of their men.

Tomoki Hamasaki failed in job hunting after graduating from university. He was disappointed in the interview he received as a graduate. One day, when he went deep into the mountains to try to hang himself, he met workers in the mountains who were engaged in logging and worked as they were. He met Michiko Yamada, a woman who works here, but she had a secret.

Authentic eroticism returns in part two of this much-anticipated sequel. Reveals the hearts and bodies of five young women who descend into a life of compromise for the sake of money...

The story of a young girl's first love is told from the heroine's point of view. Surrounded by various people, she finally begins to awaken to her own feelings as a woman.

A problematic work depicting the bold sexual life of young people! After getting drunk and returning home, Minako collides with a man named Kurushima and falls, and is carried to the room by him, and is embraced without resistance.

Shot in Japan, the film brings together the voices of today’s women with the lives and texts of Fumiko Hayashi and Yuriko Miyamoto, focusing on gender, politics and love.

Following the 2011 tsunami, three women reunite in the family home only to rekindle tense, ruinous relationships.

If actresses Hirosue Ryoko, Igawa Haruka and Saito Yuki chose different paths at the turning point in their lives, what kind of life would they be leading?