기억

Dong Geun is a patriarchal and inflexible father. He is on the verge of being forced to retire after getting involved with a drug rebate and on top of that, he's diagnosed with late stage stomach cancer. With the little time he has left, he tries to do something as a father, but he only creates misunderstandings... This is the story of a father we didn't know. (Source: HanCinema)

A young boy struggles with the loss of his beloved dog.

After six failed relationships Eun Jin is determined to succeed with her clumsy unromantic boyfriend, but questions arise when she suspects that he is hiding something.

A woman sorts belongings of her deceased mother. Uncanny phenomena occur in her house, and she recalls memories of her mother.

The secretive rules of nature spread out to be extraordinary beauty. Water is a lifeform that remembers and reflects everything. Following the nature of this water and the mysterious record of the ecosystem leads to the wonderful four seaons of the Bongha Village and the late Roh Moo-hyun's ambitious visions. What is the future he dreamt of back in his home, carrying out biological agricultural technology?

Recording Nguyen Thi Thanh, the only survivor of Phong Nhi Phong Nhat massacre, where civilians were killed during the Vietnam War. Having lost all of her family at the age of eight and survived by herself, she is an open witness to the massacre of Vietnamese civilians and demands an official apology from the Korean government.

The housing market in South Korea is tight, and animator Sunghwan Lee moves from one semi-basement to another temporary home. This situation, combined with his difficult childhood, got him thinking. What is a home? What makes a house a home?

Memories of neighbors surrounding a violinist who committed suicide naked. Journey to the jungles of Guyana and Suriname in South America, chasing down the infamous gold miners. A sequel to 'Mauris Barres', directed by Jean-Marie Straub, wandering around Mont Saint-Eudil. Jean-Marie Straub, a ‘fighter’ of modern cinema, who explores the physical properties of movies; Claire Denis, an ‘adventurer’ who crosses boundaries and encounters others; Jose, the ‘walker’ who discovers the mysteries of life with the attitude of an essayist Louis Guerin's original cinematic world.

Kim, a poet, feels rejected and neglected in her life. One day her husband disappears and she finds a dog abandoned in the reservoir. Taking care of the dog, she strives for a living, but life distresses her even more.

Young-Jae (Ryu Soo-Young) was involved in a car accident two years ago. He lost his memory from the accident. Now, Young-Hae runs a used bookstore and appears like an ordinary guy, but he has a certificate for passing the bar exam in his desk. While Young-Jae was in the hospital nobody visited him and he didn't have any numbers saved in his cellphone. He has been totally isolated. One day, a parcel is delivered to Young-Jae. In the parcel, there is Young-Jae's old wallet containing a photo of a smiling woman. The parcel does not have a sender listed. Soo-A (Nam Bo-Ra) is an 18-year-old who acts likes she knows everything. She expresses to Young-Jae that she likes him. With Soo-A's help, Young-Jae tries to find the woman in the picture.

As the historical community regards the marriage voyage of the 'Indian Princess, Heo Hwang Ok' 2,000 years ago as a myth or a legend, the roots of 8 million descendants, including the Kim and Heo clans in Gimhae are always shaken, and the beginning of Gaya Buddhism as well as the history of Gaya are pushed back hundreds of years. The documentary traces the three-day honeymoon record of 'Indian Princess Heo Hwang Ok' in the Memorabilia of the Three Kingdoms, drawing a unique historical reality in a scientific way that no one has predicted or attempted to try before.

The theatrical stage takes place in a foreign space and reveals a feast of different forms of memories.

A couple gets a phone call while they are on their way to the train station to go on a trip. Cheol-min hears from her friend that his girlfriend had previously lived with her friend. Hearing this, Cheol-min is worried and does not want to go on a trip. He is very excited by the feeling of betrayal that he cannot trust this woman.

This film is based upon the form of an individual’s diary. Jangwook created new images using several chemical treatments on the film surface while using footage of his daily life. These serial works begun from trials that Lee had communicated, seeking to re-construct his own memories, where the ‘mind’s eye’ become connected with the ‘camera’s eye’ and with film itself. In doing so the film is a conversation with personal documentary and everyday practice at the darkroom.

In the 1980s, Dongducheon base village. Hong spends a pleasant time with her older sister Yeon-ok. But the hostess disturbs Hong’s perfect daily life.