돈키호테

Mass starvation and social disorder is the norm in the wake of the Korean War. Hwa-su works as a gofer at a local theater but dreams of owning one day a theater of his own. As an adult, Hwa-su becomes a protege of powerful businessman Sohn Jong-rok and marries his niece thus becoming an heir to Sohn's business. He takes over the Je-il Theater and re-names it Peace Theater. Achieving his childhood dream is the just the beginning for Hwa-su. He ventures into the world of filmmaking. Meanwhile, crime lord Lee Jeong-jae takes Yu Ji-gwang under his wings and partners with Gwak Young-ju to build his own political clout. But when his ardent supporter Lee Gi-boong loses the vice presidential race, Jeong-jae becomes nervous. Hwa-su, now a man with immense wealth and underworld power approaches Jeong-jae and Ji-gwang to form an uneasy alliance and enter the world of rigged elections and corrupt politics.

Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.

In the sixteenth century, Miguel de Cervantes, poet, playwright, and part-time actor, has been arrested, together with his manservant, by the Spanish Inquisition. They are accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other prisoners gang up on Cervantes and his manservant, and begin a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense--the story of Don Quixote.

Don Quixote is a Japanese television drama series that aired on NTV from July 9 to September 24, 2011.

With his noble squire by his side, a retired country gentleman sets out on an adventure to right the wrongs of the world.

Carlos Acosta's first venture directing one of ballet's 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianella Nuñez (Kitri). Still built on Petipa's original choreography, Acosta's clear dramatic structure and vivid stage action gave the ‘boy gets girl despite her father’ story a more convincing air than usual, with Don Quixote's parallel obsession with Dulcinea-Kitri coherently woven into the plot.