± 5 Mètres De La Surface Des Océans

Balkan actuality.

A documentary about the making of the final version of "Metropolis" by restoring all material from different sources.

A subway passenger suffers from hallucinations and sees the metro that he has just boarded accelerate and gain speed quickly.

Celebrate the tenth anniversary of the Metropolitan Opera's Peabody and Emmy Award-winning series The Met: Live in HD. The broadcast of Donizetti's Roberto Devereux will be presented live on Saturday, April 16 in select cinemas nationwide. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elina Garanca and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, directed by Sir David McVicar and conducted by Donizetti specialist Maurizio Benini.

Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.

In a small town there are no mysteries, lively events or attractions, apart from the smooth tracks of the railway, which hide real life and fairytale emotions beyond the horizon. The train to the capital, which passes through the town every day, seems to Katya and Oxana to be part of a different world, full of wonder. One day an unexpected message from the Moscow express alters the routine life of the two friends.

A journey in the world of the little employee Sobhi Halogi, a conservative, conservative woman, occupies the axis of his thinking. He seems to be an object, but we do not reveal his intimacy unless life has given us a special experience with him. Sobhi Halouji is confronted by a girl he encounters by coincidence, but fails to bear the spiritual expenses imposed on him by this relationship. The film reveals and exposes the model of this segment with all its contradictions, motives and aspirations to overcome the bitterness of living and deprivation at all costs, bearing one goal is to climb.

Directed by Kenji Mizoguchi.

A man takes the last night train, which transports him through the darkness in a dismal trip.

Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.

New tenor star Vittorio Grigolo takes on the title role in Offenbach’s fantastical opera, giving a tour-de-force performance as the tortured poet unlucky in love. He is joined by a trio of leading ladies: Erin Morley sings the mechanical doll Olympia, Hibla Gerzmava is the fragile Antonia, and Christine Rice sings Giulietta, the Venetian courtesan. Bartlett Sher’s colorful production, seen here in its second Live in HD presentation, also stars Thomas Hampson as the sinister Four Villains and Kate Lindsey as Niklausse, Hoffmann’s friend and muse. Yves Abel conducts.

The underground wanderings of a not-so-young Brazilian student who, without knowing what to look for in life, goes to the Paris subway to meet those he values most... the strangers. During two years, always with a camera on him, he observed and interacted with all kinds of metro 'inhabitants': passengers, bill posters, homeless persons, musicians, metro drivers, frequently conversing about life expectations. The result is a film that reveals this eclectic underground world from an unusual, irreverent and personal point of view.

Revolving around Hyderabad, a city like no other, are the lives of eight people grappling with life-changing choices as their fates entwine with each other. However, they're determined to rise above the occasion and make room for life and a little more.

François Girard, whose revelatory 2013 take on Parsifal set the recent Met standard for Wagner stagings, now unveils a spellbinding new vision of the composer's tale of a cursed sea captain doomed to sail the open ocean for eternity. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. Valery Gergiev conducts a brilliant cast led by bass-baritone Evgeny Nikitin as the Dutchman, with German soprano Anja Kampe making her anticipated Met debut as the devoted Senta, whose selfless love is what the Dutchman seeks. Bass Franz-Josef Selig is her father, Daland, and tenor Sergey Skorokhodov is her deserted former lover, Erik. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to more than 2,200 theaters in more than 70 countries worldwide.

A quick-tempered father argues with his son last time. The child decides to leave the family home. Dancing is the high point of the exchanges between the two characters because it is their only means of communication.

Four girlfriends plot to determine whether the cute metrosexual man their friend plans to marry is really straight.

Early documentary about the Moscow metro: the early project, the development and the people working on it.

A contributor who attends a famous private university decided to live alone in an apartment. However, after about three weeks of living there, strange things began to happen, such as hearing noises coming from the next empty room, or knocking on the door so no one was there when I went out. Then, one day, I was knocked more than usual, and when I looked through the door scope, I saw an eerie long-haired woman standing there. In everyday life, the existence of spirits has definitely become inseparable...

Marking the fourth centenary of the city of São Paulo, this documentary provides a brief overview of the city's history, then dynamically captures the present-day metropolis and the skyscrapers that dominate the plateau in the 1950s.

Heinrich Hauser, born 1901 in Prussia, filmed Chicago long before Hollywood discovered the authentic showplace. He went there at the height of the Great Depression, in 1931. It was only him and his camera. He manages without stars. He is not interested in the world of make-believe: no impressionist images, no experimental city poem, no travelogue or image film, no posed footage, certainly not one of the usual culture fi lms. The city was all that counted: the Naked City and the people living here. Hauser was obliged to Neue Sachlichkeit: New Objectivity – and to his aspirations and ambition as an artist.