3 Femmes

When Eli and his longtime boyfriend break up, Eli starts to realize the parts of himself he was hiding to appeal to his relationship. Namely, his femininity.

Second version of a short film Brisseau will remake in 2014.

Alfred, in his forties, runs a publishing company and lives with his wife, Maurane. But he suddenly sees his life as a happy routine, but totally devoid of passion, so he proposes to his wife to replay their encounter, to separate from her in order to win her back. The next morning, Maurane disappeared. A few days later, Alfred meets Catherine Wolf, a young writer, who strangely reminds him of Maurane.

Anne divides her time between her children, a 16-year-old son and twins Lili and Lolotte and her work as an editor. Her life is turned upside down by the reappearance on the scene of Arthur, one of her first loves, whom she never wanted to see again. He doesn't know that he is the father of the twins but he is determined to win Anne over. The trouble is, she is surrounded by men desperate for her hand and thinks she is in love with one of them.

Actress Liana Orfei and film historian Fabio Melelli talk about Il mulino delle donne di pietra

Georges Legrand is a young unscrupulous reveler. He seduces Fred, a woman doctor before shamelessly dumping her for Aline Ribourg, a tennis player. Soon fed up with his new conquest, he returns to Fred. But Aline is pregnant from him. Showing an admirable sense of self-sacrifice, Fred manages to persuade Georges to marry Aline.

A young woman guides a man through a mysterious forest. In his eyes, everything seems normal, until he comes across two women waiting for him in a macabre ritual.

The hairdressing salon “Saïda” is a space where people speak openly, laugh and argue. The subject rarely is hair. In the run-up to the presidential elections in Tunisia the shop turns into a political arena where the women – young or old, conservative or with a modern outlook – indulge in discussions about the pros and cons of the candidates. Their clever and witty statements reflect a young democracy with all its rifts and fault lines.

Today, in France, in terms of health, being born a woman is a disadvantage. Less well diagnosed than men, less quickly treated, they escape the medical radar and become invisible.

A man turning 50 (Walter Faber) narrates his liaisons with three women: Hanna, who was pregnant and left him many years ago in Zurich; Ivy, who broke up with him recently in New York; Sabeth who is 20 and whom he just met on a boat to Europe. Sabeth and the narrator travel to France, Italy and Greece. But who is Sabeth? What does she feel towards the narrator? What does he feel towards her? The entire movie is shot in subjective view (we only see what the narrator sees); there are no dialogues, just his post-synchronised voice.

« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.

In Nigeria, in the villages of Apir and Fiidi in the state of Benue, the women of the Tiv ethnic group struggle daily to improve their lives. As a result of their work in the fields and the sale of their harvest at market, most of these women have been able to attain economic independence. In 1987, the Nigerian government, prodded by the United Nations and women's organizations in Nigeria, developed a program for supporting women in rural environments called the "Family Support Programme," which encouraged them to organize more effectively and to form co-operatives. Several representatives of the government and the Programme present the broad outlines of this project, and talk about the women's investment and the problems they have encountered. The women describe their role in these co-operative associations and how they view this collective work and its benefits, which enable them to improve their socio-economic situation.

The workers of the clothing factory Brukman in Buenos Aires continue production during Argentina's financial collapse in 2001.

Milwaukee, Wisconsin-based alternative rockers Violent Femmes make the trip from American to Great Britain in order to perform two spitfire sets at the legendary Hacienda in 1982-1983, and thankfully for fans cameras were rolling to capture both shows in their entirety. Never before released on any format, these two landmark concerts capture the iconic 1980's cult band in their absolute prime while offering a glimpse into the legendary nightclub that spurned on the Manchester music scene.