7 Ans De Séduction

Willy, a middle-aged divorcee, decides to take his 15 year-old son, Thomas, on holiday to Ibiza, staying at an isolated villa on the unspoilt part of the coast. Thomas insists on bringing his friend Juliette, a girl of his own age with whom he enjoys a close platonic relationship. When it comes to physical love, Juliette is wise beyond her years. She will only sleep with men older than herself and has no intention of committing herself to a long-term relationship.

This is the IMDB entry for the Scandinavia episode of The Century of Cinema series of documentaries. They were broadcast on television as a series but I think also shown at film festivals as individual films.

Agnès Varda’s follow-up to her acclaimed documentary THE GLEANERS AND I takes us deeper into the world of those who find purpose and beauty in the refuse of society, revisiting many of the original film’s subjects.

A story about Caroline, a young girl who decides to start dating only men after forty.

At the dawn of her retirement from the stage, Lise Dion takes a step back from her 35 years in the profession. Accompanied by figures who were important to her, she revisits with humor and nostalgia the significant moments that shaped her career.

In 1974, a group of friends, inspired by what they had seen in Italy and driven by their common passion, organized a comic book fair in their Charente town of Angoulême. Half a century later, the event has become an internationally renowned festival, which is about to celebrate its 50th edition. This documentary tells the story of the creation of the Angoulême International Comics Festival in the context of the 1970s, and the evolution of the event since then, which has made the city a world reference in an exponentially growing bubble market.

A look back at the great love story between Roger Federer and Wimbledon, eight times winner in London and who will be present for the 20th year in a row on English grass.

One of four film sketches on the problems of adolescents facing the adult world in the 1960s. The three other sketches were directed by Michel Brault, Hiroshi Teshigahara, and Gian Vittorio Baldi.

A four-year-old saves the day.

In the geriatric care section of the Charles Foix d’Ivry hospital, Thierry Thieû Niang, a famous choreographer, is running a dance workshop for Alzheimer’s patients. Through dance, lives are told, memories recounted: regrets, bitterness, moments of joy and solitude. Blanche Moreau is 92 years old. During the filming, she has fallen in love with the choreographer Thierry. The simple fact of falling in love being crazy enough as it is, there’s no longer anything else mad or delirious about Blanche: her illness has simply become lovesickness.

My name is Hélène and 1952 was not an easy year for me. First, because my parents decided to leave Montpellier for Paris but without taking me and my big brother Michel along with them. Why, I don't know... The fact remains that I had to leave the south for Lille, in the North, where my grandmother Yaya (her true name is Alice but this is the way call her) and my grandfather Georges were living. What I disliked most was that Yaya had a preference for Michel and that Granddaddy was too grumpy. In Lille I also got very upset when pupils at the catholic school I attended told me I was... Jewish. Jewish? I didn't even know that Jews even existed. And when I knew better about them (Michel was more informed than I was), what a shock it was when I learned that my two other grandparents had been sent to a concentration during the war. A little too much for a little girl like me. A sure thing is that I will never forget the year 1952, the year when I was seven...