8 Femmes

A low level official and a prostitute both try to commit suicide and fail, afterwards he becomes a pimp and the prostitutes take over the country.

While men in Morocco are allowed to marry again six months after they have been separated, for women to get divorced is an almost insurmountable bureaucratic undertaking. Ghita, Latifa and Saadia are attempting it nonetheless.

Pseudo-documentary that repeats everything from fashion to nudism to childbirth that has already been seen in countless "sex education" films.

Liana, an architecture graduate, is about to get married until she is confronted with the fact she is sacrificing the rest of her life for a man she barely knows. So begins a series of romantic encounters in which Liana tries to find her freedom and happiness, but which will ultimately lead her to a tragic fate.

In 1982, the socialist researcher Ishidō Kiyotomo organized a round table with women activists who had participated in the rise of the labor movement, from the Taishō era (1912-1925) to the Shōwa era (1926-1989). At his request, Haneda records this meeting. Stimulated by her desire to " preserve the history of these women ", the director adds additional sequences to the recording. In the film, the discrimination and domination suffered by these activists are told in the first person.

Kenji and Chuko travel to Hokkaido as migrant workers and enlist as miners under the strict leadership of Guzuyasu. On the boat journey to Hokkaido, Kenji attracts Ohama, who is travelling to Hokkaido to open a bar. When Kenji visits the bar, he chases away a sailor who was hassling a shy girl, Ofuji, which makes Ohama jealous.

They will do anything to get to Mexico... and freedom. From the moment the riot started and the guard is killed, there's no going back for the women of Cell Block 3. The eruption of violence following their escape leaves a trail of death and destruction for those who try to stand in their way!

A story of the conflict between the old and new orders of living.

Look into the personal lives of women currently awaiting execution on Death Row. Though each woman is convicted of committing society's ultimate crime, there is often another side of the story.

Dona, Lukrecie and Tana - three women of different origins and destinies, whose stories unfold at different times. The tale of the Romany woman Dona begins in the 1960s. The only assets this beautiful and vital woman has are her three children fathered by different men. In order to secure a livelihood for them, she moves in with an older, but disabled man, who turns out to be a pervert. Ten years later, the ambitious Lukrecie is trying to avoid employment in the village. After she becomes pregnant by a prospective suitor, she meets an attractive young man who offers her a life abroad, something she had always dreamed of. Lukrecie resolves her situation in the most appalling way. Tana, the wife of a prosperous businessman, vainly longs to have a child. On the advice of a friend, she goes off to a spa, whose miraculous reputation is attributable to a skillful masseur. Her husband, however, is unmoved by the joyful news.

The filmmaker juxtaposes testimonies by Carmen Gloria Quintana, an activist set afire by soldiers of Pinochet's regime, with images of Cecilia Bolocco, first Chilean to win the Miss Universe beauty pageant, being congratulated by the dictator.

This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.

A student comes up with various schemes to avoid paying a tailor the money he owes him. Considered to be a lost film.

"Two Women" - Cecilia is in hospital after being subjected to an attempt on her life. Her husband is called to the hospital. Cecilia deliriously mentions a mutual friend. The husband seeks out the friend.

Miranda and her adult-ish daughters, Hester and Rose, are crammed in a rotting little caravan to be near their irascible Gramps in his final days. They love him but his care bills are mounting and when they discover that he’s hidden his savings and doesn’t remember where... they could bloody kill him.