8 Frames Per Second Film Complet Vf Gratuit

High contrast black and white photography, a subjective camera and a quirky sense of humour contribute to this extraordinary portrait of the filmmaker’s neighbour Sophia, a working class woman from Cape Breton with opinions she’s not unwilling to (loudly) share. Clarke’s highly personal film is at once familiar and dispassionate – an innovative documentary which moves as kinetically as any action film.

Directed by Kevin Burns, this documentary from Playboy Home Video examines the oftentimes tense relationship between sex, women, and popular Hollywood culture. With a particular focus given to Marilyn Monroe, Jayne Mansfield, Jean Harlow, and Sharon Stone, Sex at 24 Frames Per Second studies the role of female sexuality in film throughout the years. ~ Tracie Cooper, Rovi

This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.

I first started by taking a black 16mm film leader and holding a magnifying glass above the film. I then used the sunlight to burn each frame in the film leader. At the same time that I was burning the film leader, I was also filming the process of burning each frame. After developing the film, I then physically burned each frame with a soldiering iron in the exact same area that it was burned by the sunlight. The result was that when projected, one would see the filming of the burn at the same time one sees a single frame action of the physical burning of the film, followed by other concepts dealing with 24 frames. 24 frames make one second and this gives the illusion of smoothness. However, because each frame was burned, it gives an animated impression together with the smoothness of 24 frames.

This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.

A highly edited work complimenting an exhibit on Persian art in the Los Angeles Museum of Art.

Zhang is a rural 16mm film projectionist. Unable to adapt to the new environment, he still chooses to walk his path to the village over the snow mountain on the last day of his career.