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An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.

Great Battles in History are film documentaries that show historical battlefields presented in an animated environment.

A seductive woman gets involved in relationships with several people. All of the characters play games of deceit with one and other and things get more and more dangerous.

When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reality. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to realise that their cinema is nothing more than a faithful reflection of their own selves.

After another day at work, Virgílio turns on the answering machine at home and hears a disturbing message. It's a message from Clara, communicating the end of their relationship. Virgílio then listens to the message repeatedly, seeking some meaning. Breaking up is not the problem; the problem is that Virgílio has no idea who Clara is.

Geoffrey Cardozo (English) and Julio Aro (Argentinian) are Nobel Peace Prize nominees for their joint work in a historic humanitarian cause—the restitution of the identities of Argentine casualties during the Malvinas War. Elma Pelozo is 80 years old and the mother of Gabino Ruiz Díaz, a young man who died during the war, and who remained buried in the Darwin cemetery for three decades as a “soldier only known by God.” Gabino is one of the Argentinian heroes who gained back their identity thanks to the work done by Geoffrey Cardozo and Julio Aro. Elma has two dreams—meeting Geoffrey Cardozo, the person who buried his son with honors, and traveling to Malvinas to visit his grave.

Verónica, a middle-aged highschool history teacher, leads a non eventful life: she has grownup children, grandchildren and a less than perfect marriage. This dynamic seems to be the only thing she can hold on to, as she battles a terminal illness. As she reluctantly accepts her fate, she meets Eva, an irreverent and misunderstood new student who unknowingly injects some life and enthusiasm back into her and provides her with the tools to deal with her destiny.

The Story of longtime UFC Featherweight champion and the struggles facing him on the road to the top.

Correa is a retired boxer who spent much of his life running "errands" for Bernal, a violent mobster, who was also his former manager. A mistaken murder and his loyalty led to a few years in prison. Upon leaving him, he decides to turn his life upside down with Rosa, a prostitute who is the victim of a trafficking network commanded by Bernal and the police.

Series that narrates the history of Chile, from the Spanish colonization by Pedro de Valdivia and the begin of the Arauco War, to the Centennial of Chile in 1910. The show uses two main styles, jumping from one to the other. One style is the use of actors to represent certain key events. The second style is the plain explanation of the things taking place, which could be done with visual gags, with the hosts in some modern day location, or at a representation of an event.

Tequila in Mexico, 1940s: Honor and dignity come first here. The town is protecting a certain secret. In spite of all prohibitions, Antonio, a respected young landowner, has an affair with Lola, his uncle Vicent's young wife. She is sexually dissatisfied from her older husband. Also butler's young daughter Milagros is in love with him and sees him when he leaves Lola's room after they had sex. She threatens him to disclose the secret.

In 1995, 32 men were charged and prosecuted for two years of a frame-up intended to convict them for their sexuality. The Arny case explodes.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

Two teenagers fall in love, but their feuding families and fate itself cause the relationship to end in tragedy.

This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

A woman dreams every night that she wanders around the city screaming for her dead children and realizes that the old house where she lives is actually the tomb of murdered children.

The relationship between an experienced woman and a youngster which develops in a passion and a further social rejection.