A History Of Christian Worship

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

Handbook of Movie Theaters' History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future. The mission of Handbook of Movie Theaters' History is to explore and give back to the audience a deep reflection about the identity and the value of movie theater, in its social and anthropological role and as a mass media, and to analyze the experience of the viewer.

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

Documentary series about security service in Poland.

The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.

The response of the director Karpo Godina and poet Boris A. Novak to the manipulations of the government and the party machinery that bicycles were a means of Nazi and fascist propaganda.

The Angel of History deals with the troubling presence of unsolved past events in actual and imagined realities. It takes place in various public and private arenas like the artist's studio, the arena of murder, the photographic frame, the museum, the body or the cemetery. The Angel of History offers new perspectives for understanding the complex relations which are spun around the museal space. The movie probes beyond the standard and limited museal relationships between artist and work or viewer and work, exposing the fragile, troubled and intimate relations between the various protagonists who participate in the becoming-public of the work of art: between a daughter and her mother, between an analyst and his patient, between father and son, between photographer and photographic subject, between a ghost from the past and contemporary figures, and between hangman and victim.

Follows the rich history and traditions of the English Language School “Plovdiv” in Plovdiv, Bulgaria.

Normandy, 1905. The picnic is finished. A group of middle-class people in their Sunday best, get ready to go home. There is one last photo to be taken, but somebody is missing

The history of the revolution - but which one?

Zamora orchestrated the tossing of potted plants through windows into the courtyard of São Paulo’s colonial Hospital Matarazzo, an old asylum slated for demolition. The building suffered from physical decay as the institution had gone into debt.

In Gansu, north of China, two families talk about their ways of living in the farm: since nomadism until today's commerce, animal husbandry and industry. Narrated by the filmmaker's own voice, this short film provides a personal point of view about, not only the Yugur's idiosyncrasy, but also about part of the Chinese history, and takes by leading character one of the most grassland's representative animal: the sheep.

Testimony of the popular struggle of 1968 from the perspective of the political prisoners locked up in Lecumberri.

Found footage short film piece conceived through the articulation of appropriated and recycled film fragments to conform a unified crying scene composed by different women, bodies, faces, ambients and characters. Structuring a beginning, a climax and an ending. An inquiry into the construction of (self) identity, gender issues, memory, and the process of rewriting/reimagining personal recollections. Assembled as a chapter for an autobiographical long film called An Appropriated Self-Portrait, edited using a fragmentary structure that relies on a linear narrative.

Nama and Siré marry in the early sixties. Nama is a very pious marabout who decides to pull away from the world with his wife to dedicate himself fully to God and live as a hermit. To reward him, God sends him an angel. Nama must make three wishes. This film is based on a traditional Malian tale.

Haunted every night by monsters of unknown origin, an isolated woman finds a stranger in the woods and struggles between her safety and her sexual desires.

Credited as being the first portuguese animated movie programmed to be exhibited in a movie theatre. The movie is considered lost. Only a few drawings survived, from which a 4" scene could be reconstituted.

“Historic Exception State” originates from my visiting the pyramid of the legend at Qixing Mountain. Through the stroll and walk, the sense and memory accumulated inside and outside the body and the guidance of many linking prick points, with the images which are born with timeliness and constructiveness of reality and fantasy, the film develops with the creation of exploring memories, history and nature.

In the early days of the revolution, three young cameramen working for the National TV take their cameras out on to the streets of Tehran to capture the people’s revolution. This documentary covers the revolutionary events from 8 September 1978 to February 1979, using a politically strident voiceover narration, which does not match the relatively evenhanded visuals and editing.