Bride Of The Century Saison 1 Épisode 17

A "behinds the scenes" documentary about the making of the 1987 film THE PRINCESS BRIDE with original archive footage and new interviews with cast members.

Sir Walter Scott adaptation, existing in fragmentary form in the Library of Congress paper print collections.

Frankenstein tries to create a living companion for him from the bodies of the women he killed.

Calhoun is the Miner's wife being driven frantic by husband Mason when Laidlaw staggers into her cabin seeking refuge from a posse on his trail.

Bakedano's experimental approach to the bride of Frankenstein's story.

Documentary about the making of 1935's "The Bride of Frankenstein."

Dr. Dudley Duprez is a well-known Louisiana physician. His beautiful but wayward niece, Rose Duprez, is abducted by Paul Crenshaw, a friend of the doctor, and to prevent her shame from becoming known, Rose kills herself. Dr. Duprez learns her secret and determines to make Crenshaw expiate his crime. While traveling on a Mississippi River steamer, the doctor wins Mercedes, a beautiful slave, at cards. He takes her home and, passing her off as a distant relative, arranges it so that Crenshaw falls in love with the girl.

A comical depiction of office ladies who have been restructured and struggle to work. Starring Naomi Zaizen, Hiroshi Fuse, Saya Takagi, Hiroshi Abe and Yoko Nogiwa.

A bookish husband tries to win back the affections of his horse-breeding wife.

A dead soldier comes for his fiancée from the grave.

Following the events of the original film, the head of the family himself, Myron Stackpool, attempts to rebuild his empire from the ashes of destruction. But finding his lost fortune and missing siblings is only a fraction of his woes, as a mysterious high-powered woman arrives on the scene. Her name is Eugenia, and she sports a BIG agenda and an even BIGGER head! It’s love-at-first-sight for Myron, but before he and his newly betrothed can exchange vows, they’ll have to deal with mad doctors, deformed hit men, sexual orderlies, and more - as they all race to the wedding of - the BRIDE OF THE HEAD OF THE FAMILY!

Disturbed and Hideously ugly 'Warehouse Worker' Frank dates then murders women who are not nice to him, he then mutilates and disposes of their corpses, helped out by his friends.

Drama on the dawning love between a Polish woman and a farmer. Anna is forced to work in a brothel, but manages to escape. She's found, exhausted and scared, by Henk (the farmer) who offers her a place to stay, but her past chases her.

As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

Han and Hao are about to get married soon when Hao picks up a strange red envelope on the street and then all hell breaks loose with a vengeful supernatural bride wreaking havoc on his life.

Meena is a stubborn girl and a talented auto mechanic. Phuphat is the heir of a company engaged in the production of auto parts. His father arranges a marriage between Phuphat and Meena, in hopes she will be able to heal his heart that was hurt in the past and return his interest in life. Everything seems to be going well, but suddenly his ex returns and Phuphat's younger brother begins to show interest in Meena.

Directed by Steffen and Christian Pierce, this documentary chronicles the annual September tradition -- which attracts an increasing number of tourists each year -- in which men and women of Morocco's remote Imilchil villages meet at the local main shrine to choose mates and marry. From the participants' colorful clothing to the differences between Arab and Western societies, the film captures the highlights of this fascinating yearly event.

"Solomon's work - some of the best of contemporary experimental film - is difficult. Its optical and moral density eludes language, as if the films, which are often dark and cracked, were a palimpsest of obscured meaning. His PASSAGE OF THE BRIDE is dedicated to Duchamp's alter ego, Rrose Selavy - the title recalls Duchamp's 'The Bride Stripped Bare by the Bachelors, Even' - and is itself a ready-made, composed entirely from a 100-foot roll of wedding footage and what appears to be the honeymoon. BRIDE is hypnotic, dreamy. Solomon compulsively repeats recognizable images until they melt like distilled essences of the originals: The bride's run across a lawn, her climb into a car, a man (her husband?) emerging from a swim all become undulating black and white swirls of grain, ripples of water ...." - Manohla Dargis, The Village Voice