Dancing With The Stars

Concert held at Nakano Sun Plaza.

The third and final installment of Seven-Color Mask: Three Aces.

Wanting to enjoy her student life more, a female college student casually begins a subsidized relationship even though she has a boyfriend. She becomes involved in an underground prostitution ring and becomes corrupted, but in the end, she discovers her own sexual tendencies and becomes a prostitute herself. Depicts walking the path of. This work is based on social conditions such as the fashion of mistress banks at the time.

A dance to celebrate and give thanks for the blessings of the earth.

Structured around a dancer's routine, the film unfolds in four stages: hope, fear, anger, and longing for stability. It interweaves these emotions with those of locals of Matsu, the military, and first-time-visiting photographers from Taiwan island.

Mónica meets Joaquín in a bar to tell him about the strange phenomenon that is happening to her: everyday everyone around her starts to dance out of nowhere.

Vanya has spent his whole life in a hospital. He can barely remember his family in the country. When all attempts to treat his walking disability fail, he returns home. Now the eight-year-old takes courage – like a real hero.

It is the European Middle Ages. Ana’s mother is out in the street and, for no apparent reason, has started to dance. Ana feels deeply humiliated by her mother’s unexplainable behavior. To make matters worse, her mother keeps dancing without stopping for several days, and eventually other people start joining her without giving any explanation. Mortifed by embarrassment, Ana and other teenagers in the village try everything to distance themselves from the adult dancers; but the grown-ups seem determined to make fools of themselves, and to carry everything along with them while landscape, plants, animals, and social roles seem to turn ridiculous as well.

Mandarin interpretation of Wither with footage shot on an iPod touch in New York City's Chinatown

"Bizi naizeno (As long as I live), I will dance life" is a documentary about Philippe Oyhamburu, a vigorous centenarian and ambassador of Basque culture. Directed by his granddaughter Lucia Barahona, who has been filming him for over ten years, this portrait revisits the career of this choreographer and choral conductor, who has brought about a revival in Basque dance and choral singing. The film also tackles other themes, such as creation, political commitment and love of life.

After the brilliant success of her “Mozart y Mambo” project, Sarah Willis is returning to Cuba. This time the Berlin Philharmonic hornist sets out together with the “Havana Lyceum Orchestra” on a musical road trip to showcase the traditional Cuban music, bringing viewers and listeners into even more intense and lively contact with its roots and traditions. With them, the musicians bring a very special commissioned work. Sarah Willis has commissioned six young Cuban composers to compose a “Cuban Dance Suite” in six movements – for strings, Cuban percussion and solo horn in a fresh and modern adaption of traditional Cuban dances: Son, Danzón, Guaguanco, Cha-Cha, Bolero and Changüi.

Hinatazaka46 and Sarina Ushio will star in the stage for the first time! Maimi Yajima, Yuuri Ota, Haruka Kodama welcomed the gorgeous cast, and the masterpiece of Japanese movies revives on the stage again.

Recorded on July 10th, 1994 at Seibu-Kodo (Western Auditorium), Kyoto University (京都・京都大西部講堂).

The second part of an entertaining historical drama depicting the eventful story of the revenge of an actor with a strange fate, with a variety of characters and exciting developments.

DANCING IN THE LIGHT - A RETROSPECTIVE ON EARLY TAIWAN CINEMATOGRAPHY took two years to complete. It is both an homage to the works of the first generation Taiwan cinematographers and a history of Taiwan film and culture, breathlessly spanning World War Ⅱ to 1980. Early Taiwanese cinematographers - whose voices appear on the soundtrack - were at the cutting edge of Taiwanese art, culture and politics. They brought an innovative approach to shooting, totally alien to the Western practices. This is the first time some footage being released from the vaults of the Chinese Taipei Film Archive since their first screenings decades ago. This is also the first film to present a perspective and authoritative portrait of Taiwan's troubled film industry.

Hong Kong movie

Inna Malakhova is a sports dance coach. Everything in her life is going great: a loving husband, charming children, a new apartment, a car, even her own sports club. But one day she has to look into the eyes of a shocking reality. Her husband Sergey, the head of one of the largest security agencies, turns out to have been engaged in more than just security activities for a long time...

Yervant Gianikian and Angela Ricci Lucchi return to offer, through their work, often supported by original images and films, proof of how cinematographic art can affect individual conscience through its language, stimulating profound reflections on the inner world in spectators.