Everything

Min-young can't open the door because she left her office key at home. Eventually, he calls Daenyeong, the repair man of the key house across from the office, and opens the door.

Poetic documentary about brazilian musician Walter Franco.

Plot Unknown

Every minute, over 200 million emails are sent, 7,000 purchases take place on Amazon and 4 million google searches are made, all leaving digital fingerprints. Add to that the trail left by cell phones, credit cards, security cameras and the growing ‘internet of things’ and an incredible amount of detail about our personal life can now be inferred by computers. But with more and more decisions taken by algorithms, is there a risk we might fall into a “technocracy”?

A fascinating documentary about Piet Zwart (1885–1977), an idiosyncratic and stubborn designer, who lived for innovation and prepared the way for the international success that is now known as Dutch Design. Piet Zwart worked as an interior and industrial designer, commercial typographer, photographer, critic and lecturer, playing a key role in defining the design climate in the Netherlands in the Twentieth Century. He is especially known for designing the famous ‘Piet Zwart’ kitchen for the Dutch company Bruynzeel: a kitchen that could be easily produced and consisted of standardized elements. His versatility and influence on present-day designers led the Association of Dutch Designers to award him the title of “Designer of the Century” in 2000.

A short film by Vermilion Film Group. Written and directed by Weronika Wójcik. A story about polish, troubled teenagers, who get overwhelmed by their own problems. A manifesto of independence, freedom, love, pain and pity.

It is the week before full lockdown is in place. Guy, a fresh graduate overseas, is in a dilemma: should he return to Malaysia for good? Or should he stay and try to look for a job in the midst of a pandemic? Just as he is trying to make a decision, his phone rings: it’s his mom.

Short film made by a group of young directors in Berlin.

Autumn 1941. In a Nazi POW camp near Kyiev, a person claiming to be a doctor appears. He convinced Germans to set up a hospital. Raising no suspicions in Germans, he supplied prisoners with weapons and helped them to escape.

Eva Linder's film "Everything on earth will perish - Arendt, Noah and the animals build a boat" is loosely based on Hannah Arendt's thoughts on human rights and the biblical story of Noah's ark. It is the great ark that, according to Genesis in the Bible, was built by Noah according to God's instructions. Noah was given the task of saving himself, his family and all the animals of the earth from a worldwide flood, the so-called deluge. The story appears in the Abrahamic religions; Judaism, Christianity and Islam. Linder's work here asks the existential questions that follow the story of Noah; who should be saved and who should be left behind? Who will make the selection? In the film, the character Hannah Arendt has begun to suspect that the boat Noa is building will not be able to accommodate everyone. Arendt, the Wolf and the Sheep gather and confront Noah, who refers to God's instructions. The worry is spreading.

Fate decides to test the strength of Ludmilla. Luda is left with the children homeless. Close people show their true colors: mother in law will not let her under her roof, and the girlfriend refuses to give her shelter. Can Lyudmila overcome her difficulties and start a new life?

Familial disputes surrounding a traditional business. Grandfather Sonndorfer allies himself with his grandson Otto, in order to bring his arrogant son Max on the right path. Between the fronts is Emmerich Liebling, the intriguing messenger.

While cycle touring in Normandy, a young French Canadian girl makes a striking encounter.

A wacky coup d'etat masterminded by a Russian call girl, in of all places, staid Switzerland, is the subject of Daniel Schmid's black humorous satire on power and its misuses.

A lottery ticket becomes an apple of contention between neighbors.

The newsreel consists of four stories. The first one is about the collection of ancient wind-up dolls collected by the head of the Moscow Puppet Theater S.V. Obraztsov. The second is about inextinguishable matches made at the Balabanovskaya match factory in the Kaluga region. The third is about gold embroidery – the ancient Russian art of embroidery. The fourth is about a polar bear and her four cubs. All stories are represented by puppets.

In 1918, two important events took place in the City of Buenos Aires: an unexpected snowfall and the visit of Dadaist star Marcel Duchamp. The artist who dared to paint a moustache on the Mona Lisa touched Buenos Aires soil, getting around the restrictions of World War I and having as his only contact with the other members of the movement the handwritten letters in which he described the strange customs of the Argentinians. Through the endless possibilities of fiction, Everything I See Is Mine reconstructs Duchamp's days among visits to the Palermo lakes and the ritual of mate.

In a city consumed by gentrification, artist João Fiadeiro and the company he keeps postpone and embrace the end at the house they inhabited for the last decades. By vacating, they occupy; by disbanding, they stay together; by celebrating, they reclaim a 30-year-old project from disaffected national politics. What remains when everything must go? How does one keep on?

The Turów coal mine in Poland has a harmful impact on the environment, also on the Czech side of the border. After the Czech government complained, the Court of Justice of the EU imposed €500K as a daily penalty payment on Poland until the problem is resolved. Thousands of Poles are afraid of the mine being closed and of losing their jobs. Among them is Teresa, who works at the Turów power plant closely connected to the mine. This 50-year-old woman decides to fight the Czechs… in a potato salad competition taking place in a Czech village.

A bilingual documentary essay about the construction and illusions of American identity from an intimate, biographical and anecdotal perspective." I was born in New York City, a Jew from Queens, raised in the 1970s and 80s, the child of another New York Jew born in 1919, the child of immigrants from the Ukraine. When I became a father myself, I was gripped by the need to share this inheritance of identity with my daughters. But my daughters were born in Buenos Aires where I have been living since 2002.” Richard Shpuntoff