Face To Face

From antiquity to Modigliani, women's faces painted through the centuries and edited according to the theme of "Pierrot le fou", composed by Antoine Duhamel.

A poetic refection on the exploitation of the water and hardrock mines in the Swiss Alps. Contemporary images and archives, documentary and fictional material immerge us in the geological and human memories that haunt the current extractive environments.

One of the last legendary courtesans of India, Begum Akhtar was a well known singer of ghazal, dadra and thumri genres of Hindustani classical music. Rendering them in her inimitable style, she ensured that ghazal singing received due respect and came to be called Queen of the Ghazal, reaching unparalleled heights in a world that threatened to marginalize courtesans. The film weaves together the accounts of those who remember her with undimmed fondness and warmth despite the passage of years.

A girl born with a birthmark struggles to get along with her estranged mother at home. As stains around the house are being cleaned, the two women are taken back to where it all began, trying to erase any traces of resentment.

The 30-year-old protagonist Slava wakes up in a strange place with missing memories from last night. He’s taken to a hospital where Slava learns that in this odd, even dystopian world he has awakened, all the men have gone extinct long ago, leaving him the only man left in the world. Experimental fever-dream-like voyage through the mind and emotional turmoil of a young man trying to make sense of life as well as accepting the end of his relationship.

A document about a religious sect founded in Silesia in the 1950s - the Holy See of God and the Lamb of the Apostles in Spirit and Truth, Alpha and Omega, The Beginning and the End, an informal Christian denomination whose members consider themselves to be advocates of peace and universal union.

In Unión Hidalgo, Oaxaca, México, there is a group of people who pay homage to living characters in the community through urban murals, generating an identity that is reflected on the walls of traditional houses.

The faces of ten women, actual mothers of [pH2]: estado de teatro’s members, expand the face of Helena Failure and enact the misfortunes that tackled her life.

Without a job and no money to spend, Blanche Mery (Gina Manès) has to accept a job offered by Gunter (Édouard Mathé), a strange millionaire wearing the black mask.

A woman asks her mother to leave for the sake of her and her brother’s happy life. But her brother does not open his mind to her. Although she gets closer to her co-workers at her new workplace, she has no choice but to become a disrupter of them. Without hope, her brother commits suicide in front of her. Her family members and colleagues have left her. Left alone, she dreams of life again.

In two buildings facing each other, slices of contemporary life flow, overlapping. Everyone crosses paths without ever meeting.

Hong Kong remake of Brian de Palma's Scarface.

Detective Tarao investigates the deaths of police officers who were involved in solving a kidnapping case.

The Faces that Never Fade shows how war lives on in every veteran that comes home. The Faces that Never Fade focuses on showing the humanity of the Vietnam War through the experiences of John Tutle by diving into the erosion of hope from the constant repetition of day to day tasks mixed with the insanity of war along with the enduring memories of the sights and sounds of losing friends. John’s journey will show how war lives on in every veteran that comes home and the ones who didn’t come back are always carried with them. From learning to live with PTSD to moving on and helping other veterans John’s story is just one experience of millions that have served in a combat zone for this country.

While shooting Gerard Mordillat's film, "Billy ze Kick", Christophe Profit, one of the best climbers in the world, was asked to stand in for an actor. He will, without ropes or belay, climb the smooth side of a 60 meter building.

In a big isolated house, Mikael, a musician, is composing a psalm. A young woman, Linda, comes to retreive a suitcase belonging to Sébastien, her companion and Mikael's friend. It contains hundreds of photographs from all over the world. While he is travelling, Sébastien has asked Linda to organise the photographs with a view to an exhibition. Mikael invites Linda to reside with him. She accepts. That is the heart of the film – an intertwining of photographs which, juxtaposed by Linda, begin to speak. In parallel with this, Linda receives cassette-letters from Sébastien. A subtle relationship is established between Linda, the young debutante, and Mikael, the man of experience. Mikael goes off to direct his psalm, Linda stays alone. The walls become covered with photographs – wall of happiness, wall of misery – the fight between Good and Evil. Linda learns of the accidental death of Sébastien and stays alone.