Framed By The Killer

Life story of Lidia Jovanovic. the wife of Blazo Jovanovic, who was a Montenegrin politician and revolutionary army commander in the Yugoslav Partisans. He served as the first President of the People’s Assembly of Montenegro and was also the speaker of the Montenegrin parliament.

Told entirely in still frames and voice-over, a nude person appears in various poses in Amsterdam’s public spaces. Escaping into Common Places addresses the simultaneous hypervisibility and erasure of trans* bodies.

Two frames. Empty look at the end of the day.

Master. Gh.Nami is known as one of the most outstanding and important Iranian painters and visual artists who has been living his life in Toronto as an immigrant for the past 10 years. The film is a visual, musical, poetic docudrama.

Mircea is a troubled Romanian writer struggling with a deadline to complete his novel. An obnoxious, loud, and possibly dangerous man, Boris, moves into the apartment across the hall with his own deadline of excess and self-destruction. Unable to work, Mircea storms across the hall to confront Boris. In confronting this madman, he may very well be confronting his own sanity all under the watchful eye of Death Herself.

Nearly century-old history, Brazilian animation brings rich and stimulating stories and characters that built the path until nowadays.

Godina was ordered to make a short film glorifying the army, but instead made a film about making love, not war. The censors hacked it up, but he managed to save one complete copy.

A unique historical portrait of the Palestinian people's struggle to produce their own image. Using material long hidden in archives across the globe, the film reaches back through the modern history of Palestine and reverses decades of colonial dominance with a mosaic of struggle from the perspective of the colonized.

The film follows the transformations of a mass of plasticine under the influence of its environment.

The starting point for "Luz, Clarão, Fulgor" was a black and white photo from the Portuguese Alentejo region, which showed the ruins of the anarchist "Commune of Light" founded by António Gonçalves Correia in 1917 - who subsequently founded a second commune, “Comuna Clarão” (Blaze Commune), in 1926 in Albarraque, Sintra. From the remnants of these social utopias "Luz, Clarão, Fulgor" wants create a radical new movement; starting with the term "Fulgor" coined by the Portuguese writer Maria Gabriela Llansol, which describes the emergence of sudden changes of perspective as well as fundamentally new findings. Double projection. A work in metamorphosis.

The time of exposure is the life span of an object in frame. In this regard, no photo is just a two-dimensional graphic composition - it always has the third, temporal dimension. A photo is a time carrier, the vessel of memory... But whose memory? Of the Face or the Thing or the Landscape which are still on the photo? Of the photographer? A

"An attempt to make a portrait of my wife." (HHK)

Experimentation with multiple exposure.