La Ruche Saison 1 Épisode 67

As far as they can remember, Marion, Claire and Louise have been living at the pace of their mother Alice’s ups and downs. Now, love is everything that they have left to fight the spiral of self-destruction in which Alice is sinking even more deeply. An unconditional love as violent as it is indescribable.

Men in prison face their experiences, their words tracing the paths of their trying lives. Time passes in impressive lengths, testing patience and sharpening the expectation of the end of their confinement. To each his own truths and convictions, capable of telling real, well-imagined stories.

Three girlfriends want to escape their country life. A dream of Asia ends in resignation.

The Hive is a CGI animated children's television series broadcast by Playhouse Disney, Tiny Pop and CITV in February 2010. The series is of 78 episodes each of 7 minutes and 2 seasons. The show is a joint production of many companies, including DQ Entertainment, Lupus Films, Monumental Productions, Picture Production Company, Hive Enterprises and Bejuba! Entertainment.

Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

Ayşe returns to her hometown in northeastern Turkey to nurse her gravely ill mother. Before she dies, Ayse’s mother tells her that she will leave Ayse her much loved bee hives to manage. Ayse’s modern life has moved her away from the mountains of her childhood – a life in which the bees and their honey were central. But she puts her city life on hold to manage the bees, which provide a distraction from her grief. Ayse slowly starts to work with the local bee keeper to manage the hives but finds the lessons of her childhood are buried deep and the hives are more difficult to manage than she remembers. Ayse’s failure to pay needful attention to local advice sees her mothers bee hives seriously damaged, if not lost forever. What’s more a Caucasian bear becomes a real threat to her hives and her life.

In Shimizu’s sequel to his 1948 masterpiece, a journalist arrives in the secluded foothills of Izu to find a hidden commune to ask, “What happened to the children of the Beehive?” Three years have passed and her question situates itself not only in the realm of Shimizu’s craft, but that of reality: What became of the war orphans Shimizu raised?