My World And Welcome To It Saison 1 Épisode 26

Every five seconds a child under the age of ten dies of hunger. Every four minutes a person loses their sight due to a lack of vitamin A. According to the United Nations, 963 million people - almost one in six inhabitants of our planet - are seriously malnourished. At present, the right to food is surely, of all human rights, the one that is violated with the most impunity. Jean Ziegler argues that hunger is caused by human injustice and assures that today the world could produce enough food to feed the world's population. Among the main causes of this disaster, Ziegler points to stock market speculation, which forces cereal prices to rise, and the appearance of biofuels as a new source of energy. Burning food to keep millions of cars on the roads is a crime against humanity. Hunger is no inescapable destiny. A starving child is killed. The current world order of globalized financial capitalism is not only deadly, it is also absurd. Whoever speculates on staple foods kills children.

The world is about to end. A man dressed as a fish tries to cross the chaos on a scooter to reach a mysterious tower.

A documentary film following Isao Takahata to Canada to meet Frédéric Back.

After the death of his mother in a fatal accident, a son tries to hunt down the person responsible.

A documentary film starring Hayao Miyazaki as he follows in the footsteps of Antoine de Saint-Exupéry.

A Marathi film starring Alka Kubal.

At 30, Jiro embarked on a year-long trip taking in the Soviet Union, North Africa, Europe, and the United States. Nearly half a century later, his daughter makes use of various memorabilia to take a step back in time and explore how such adventures have shaped the man’s take on the modern world.

Hugo is trying to remember what important thing he had going on that day, but his mind is busy with music and daydreams about looking at someone's eyes.

How do we negotiate the photographing of images that contain the body? What experiential, political or aesthetic contingencies do we bring to both the making and viewing of a cinema that contains the human form? If a body is different from our own – in terms of gender, skin color, or age – do we frame it differently? How does looking at a body on screen make us feel? At CCA, New York filmmaker Lynne Sachs will guide her audience through her own evolution as a filmmaker by sharing excerpts from her own films. In this way, she will explore the fraught and bewildering challenge of looking at the human form from behind the lens.