On Passe à L

A woman deals with feelings of loss through her connection with nature.

Between dreams and nightmares, Lilith sees the ghost of her lost love.

“What were you doing last year, when I took this photo from a train passing by your house?”

A contemporary cityscape is seen through an invigorating, rhythmic montage of street trash, graffiti, signage, and noise.

Hangu Pass was heavily defended by the State of Qin, as the only reasonable route to invade the Qin. Laozi was stopped by frontier guards when leaving Hangu Pass for the west. Then Laozi wrote the"Dao De Jing" at Hangu Pass.   Lao Tzu is the "moral" Holy Ghost Valley is the birthplace of Taoism. The film reflects Lao Zi both emphasis on nature and heaven, but also emphasis on human and human thought, art reproduce Lao Tzu in the Valley after the formation of Gu Shen to "natural inaction, self-esteem, contentment, content, plain Private desire, power then retreat "as the main content of the humanities tradition.

The acclaimed Greek director returns with a bittersweet story about the need for human contact. Two men are hired to keep watch on a home in Athens, where a room is illegally built. They will meet many passers-by, some of whom are in fact building inspectors attempting to catch them in the act.

The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The filmmaker, Hu Tai-Li, went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images of life at that moment - forever.

Accused of being a spy for a rival clan by Nanbu Clan samurai who then attack him, the 'Lowly Ronin' barely escapes with his life after being shot. Nursed back to health by Yamaoka Daijiro, the one Nanbu Clan retainer that believes him, he must find a way to prove his inno-cence to the others. The two team up together to uncover the mystery and find out who the real spy is that threatens the security of the clan. Against all odds, the two master swordsmen must rely on all their skills to defeat a vast conspiracy and save the clan from being abolished.

At the funeral banquet, after the death of his beloved mother, Misha decides to run away from his relatives. Wandering around the city, he meets a sex worker who may be able to make up for his loss.

After being told that her husband Greg Davis, a Vietnam veteran and photographer, died unexpectedly in 2003 from defoliant during the Vietnam War, Director Sakata began to travel to Vietnam to learn what had happened to him. There, she witnessed children born with severe disabilities due to the effects of Agent Orange, even 30 years after the war, and the families who nurtured and cared for them. Although Vietnam has achieved remarkable economic development since then, the victims and their families have been left behind. The film depicts these people, the doctors who continue their support activities, and the former journalists who filed a lawsuit against the U.S. government and the company that produced the defoliant, as they continue to face the scars of the war.

In this interview Müller and Kluge explore the East German’s memories of the final days of the war. The session is introduced by a clip from the Russian film maker Sergei Parajanov’s 1961 film entitled The Ukranian Rhapsody. Here a soldier of the Red Army is writing a letter to his fiancee Oskana on the home front, describing to her his imagined vision of listening to Beethoven’s Moonlight Sonata in the middle of battle. “In the past I rarely listened to Beethoven,” he says, “if he had composed only the Moonlight Sonata, the war would have had to stop in front of it too.” The scene then is interrupted by the arrival of German tanks.

An experimental animated film built around a single sound recording that evokes travel, the need to communicate, solitude, fragility, the desire for freedom, the arrival of fall, and our ephemeral existence.

Video with footage not seen in the OVA and scenes taken from the manga, as well as a slightly different version of the OVA ending sequence, and the ending credits for the image videos.

Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.

The contemporary routine through the thoughts of 12 people in the streets of Belém, in the northern Brazil.

Posthumous tribute paid by actor Luc Bernard to his older brother, director Guy Gilles ( 1938 - 1996 ). Documentary composed of interviews with some of his brother's friends and some actors from his main films, excerpts of which we see.

A young woman makes a sandwich.