On Passe à L

Story about a man whose environment doesn't let him live his simple life.

What can we do when art fails? Or when film fails art? Time Passes is Ane Hjort Guttu’s response to such questions. Inspired by Peter Watkins’ Edward Munch, the result is a brilliantly incisive film about not only the artistic process but also time, power and the possibility of living a life of dignity.

The film describes the spiritual quest of a young hero whose prototype is georgian writer Guram Rcheulishvili.

Lena is the midwife, I am the patient. She renews my IUD and I stage our appointment. The camera becomes a mirror as a care relationship is woven.

Augusto, a lift operator in an advertising agency, learns that his mother has died in the village where she lived. A long, anxiety-filled day follows until he gets permission to go to the funeral.

When we were hiding from the bomb at night, we could only light our way with incense," a childhood friend of Sheu’s father said. Through one physically extended loop of 16mm film, the artist projects an image of burning incense. The long exposures create “time” to allow reimagination and meditation on her father's childhood.

The events revolve around the life of a woman who was completely changed by war, until she was forced to meet a man looking for fun. During their meeting, the duo discovers their need for emotional and human communication, before they wake up again to the dark reality of the city.

The city of Yūbari in the Hokkaido prefecture has become a ghost town following the presence of Shadow Moon and his minions of Gorgom. Makino, a scientist working on Gorgom's top-secret robot experiment, escapes from the evil organization and returns to Tokyo, only to find out that his wife and daughter have been abducted. As Kamen Rider Black, Kotaro travels to Yubari to save Makino's family and liberate the town from Shadow Moon's evil grasp.

"As Time Passes, Love and Sorrow Will ..." - A woman give birth to a illegitimate child, she leaves her husband and disappear completely. The husband hire a nanny to foster the child. The nanny and the child become very close.

During World War II in the Netherlands, resistance-leader Arie is shot by the Dutch SS-man Niels. Arie's comrades pledge to avenge his death. 35 years later one of them, Ab, is confronted with Niels again. He decides to round up his old friends to kill him. He finds out though, that they think this is useless or are not capable of doing so anymore. Only the former communist Gerben has not forgotten his pledge and is talked into joining the execution.

Experimental short by Keiji Aiuchi.

Lumière no. 1111

Ye-rin came to an interview to get a job. She answers the interviewer's questions without hesitation. When she comes to the interview, she answers questions with the interviewer. However, the interviewer asks a strange question and opens her mind. When working, it is said that the chemistry between employees must be well matched, It is said that you should check whether the compatibility between the company and the woman is good. She who liked the interviewer in the heart. He tries to match the interviewer's story to the inner chemistry and tells him that he will pass it right away. The man goes over to her interviewer who he liked and has passionate sex.

The concept of the film "People (Passing) II" can best be described as an ultimate dynamic of visual and acoustic rhythm with a texture which consists of people passing, standing, sitting, laying, swinging, fukmed by static, mobile, at times intrusive, but always with a highly suggestive camera.

In this series, we go projecting with long-term caretaker Michelle LeBlanc who takes residents in their 80s on imaginary expeditions.

A being from the beyond returns to Chile in 2019, embodied in a worker who dreams of social upheaval. Viral videos intertwine with fiction to narrate the experiences of a polarized country that wanders between drama and absurdity, illusion and failure.

The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives.

The darkest and most terrible mystery of Central Ural history. For almost fifty years, people have been vainly struggling with its clue. On the night of February 1 to February 2, 1959, in the far north of the Middle Urals on the Mansi Mountain of the Dead, an unknown and monstrous force completely destroyed a tourist group of students of the Ural Polytechnic Institute.