Reflections

This documentary addresses the challenges facing the Italian film industry in 1978 by focusing on the television productions of Francesco Rosi's CHRIST STOPPED AT EBOLI (1979) and Elio Petri's LE MANI SPORCHE (1978)

Childhood friends Remy, Marites and Ricky, who are all descendants of the first indigenous settlers of Agusan Marsh, make it their life mission to protect and preserve their ancestral land. Despite the social and environmental challenges they have to face, they take small steps in achieving their common goal.

A French policeman, a wine grower from Georgia, a couple of young actors in London, an Italian priest. Four stories of change in people through the prism of a drink that accompanies human passions for 8000 years.

A short animated film by Jerzy Kucia.

For the first time, the filmmaker, who has previously focused his camera on his parents, friends and cats, chooses a woman as his subject for this film, which consists of three parts, each of which captures a different woman. In each of the three parts, the camera captures a different woman: the first woman dances in a muddy clearing, returns to her room, smokes a kisser, takes off her clothes and enters into a strange world of sensuality with the artist; the second woman just stands there. The third woman strolls through the winter streets in high spirits, performing wherever she can. The artist simply stares at the three women and says nothing. However, he does not miss the eroticism that emerges from his subjects, and the women's sexuality drifts through the succession of unhurried, diary-like images.

One day Novák Erzsébet kindergarten-teacher destroys her papers, cuts her hair and closes her mouth forever. She prepares for suicide namelessly, then somewhere around Normafa she accepts being taken into an asylum.

The two main locations of the film are Venice and New York - it is these two settings in which the protagonist, an astrologist, is slowly dying. He is a victim of the Chernobyl catastrophe.

Examine the birth and development of sun-and-beach tourism on the coast of Valencia, Spain, through sociological, urban, ecological and cultural lenses.

Reflections is a film by Henrikas Šablevičius that was made for Lithuanian Television. It is a surrealist etude that doesn’t have a clear narrative, and is courageous in its form, unusual in the context of Lithuanian cinema at the time.

The film shows life in contemporary Sarajevo as reflected through glass covers of the black-and-white photos of its defenders, taken by the Bosnian photographer Milomir Kovacevic in 1992 during the siege of the city.

In a sordid account of mutual charity, an alcoholic doctor tries to make a captive heroin addict kick her self-destructive behavior — and vice-versa.

Director Sara Broos examines the relationship between herself and her mother, painter Karin Broos.

Viktor is a highly successful and wealthy actor. For years, he has sought distraction from his inner poverty through his relationships with women. In this movie, his marriage to an emotionally overwrought woman comes under strain when he hops into bed with a teen-aged adorer. However, this isn't the relationship his wife should worry about. The actor has a far more sinister relationship with a plain, hard-faced woman who expresses her deep contempt for the actor. The more she does so, the more he loves her; the more he loves her, the more contempt she shows. Eventually, he comes to see that these relationships are mirrors of his inner life -- which arouses him to despair, as he cannot bear to own up to this.

The film analyses all the things imposed on women by the media. It presents the framework within which women are supposed to act and accept it as their own – the stereotypes imposed via women's magazines and, primarily, through fashion and advertising industries. It deals with illusions presented to us by media as reality and it peeps behind the scenes. It is a film about women as shown and presented by the media. It was created in cooperation with the women's association B.a.B.e.

Igor and Sara's relationship comes to question when something new appears in their life.

Maya lives in Burgas on the coast of the Black Sea. She's a young woman trying to find herself. The film features the poetry of Petya Dubarova and is loosely inspired by her life.

The morning after a one-night stand, two young men must figure out what kind of relationship they want. But they want opposite things: One of them just wanted casual sex, while the other wants something more.

Showing a weird invention, called hypnotic mirror, in action. Placed before anyone the polished surface reflects the actual thoughts within their minds. Its uses in the court room, the home and the school house are cleverly shown. When the mechanism tells a wife the truth about her husband, something commences.

"Depending on the light and the angle, one can see a variety of reflections in double-paned glass. I used this phenomenon to film a defracted self-portrait." —Milena Gierke

Fabián, a young man who just lost his parents, moves to the mansion where his aunt Lili and his cousin Isabel live. As days go by, Fabián will notice the strange habits of his relatives seem to suggest they are something more than human.