Take Me To The Edge

Recent MIT grad Matt Franklin should be well on his way to a successful career at a Fortune 500 company, but instead he rebels against maturity by taking a job at a video store. Matt rethinks his position when his unrequited high-school crush, Tori, walks in and invites him to an end-of-summer party. With the help of his twin sister and his best friend, Matt hatches a plan to change the course of his life.

Ching Ka-ying and Koo Ching-king are lovers and Chinese medicine graduates. Ching-king chooses to continue with his medical studies, causing the couple to end their relationship. Ten years later, the duo run into each other again. Ka-ying has become a public Chinese medicine center service supervisor. Although Ching-king is a Doctor of Chinese Medicine, he works under Ka-ying as her subordinate as he could only apply for the position of CM trainee practitioner. Even though the duo often quarrel due to their different beliefs, they are benevolent medical practitioners hoping to use their medical knowledge and experience to help patients. Despite the fact that there are many restrictions placed on CM practitioners in the health care system, they jointly oversee a contingent of novice CM practitioners, including Lo Yuen-chi, Yuen Si-si, Tong Siu-kwong and Pang Ching-mong. Together they create what they regard as the ideal Chinese medicine center and boldly go down the road to benevolence.

After years of being away from home, Fan is suddenly summoned back by her relatives to assist with her grandma's funeral. As she reunites with her aunt Yun, amidst the emotional turmoil of the funeral, they find themselves on an unexpected journey of self-discovery and reconciliation within their complex family dynamics.

Fumio Yano is an unassuming young businessman in the ski wear line. His own skiing ability is close to professional level, and he assists a former world champion, Tayama, on the sales team. Fumio meets and falls in love with Yu, a young secretary, but initially finds it hard to express his true feelings for her. A St Valentine's Day fashion show provides an unexpected backdrop for crisis resolution, and a mad scramble ensues to beat the clock and make it to a neighboring ski resort in time for the press and photographers. A pack of chocolate is a symbol of true love...

Milk's husband dies on their wedding night while having sex. He returns as a ghost as she attempts to get her life back on track whilst choosing between two new men in her life.

Zheng Xiang reunites with the members of his high school band and reminisces about their lead singer and his past love, En Pei, whose pursuit of her dreams ended in tragedy. He regrets encouraging her to join the pageant, wondering if she would have died if he hadn't done so. Drunk after the memorial, he's suddenly transported back to the past, where he sets out to stop En Pei from making the same mistake.

Yuuta and Rikka are in their third year of high school. One day in Spring, Touka declares that she will take Rikka to Italy with her, as her job has stabilized there and thinks they should migrate together as a family. Touka is also worried about Rikka not being competent enough to advance to universities in Japan. The gangs from the club suggested Yuuta, who doesn't want to be separated, to elope with Rikka!! A runaway drama throughout Japan begins.

Split between the safety of her 'happy place' and a hard to navigate reality, River tries to communicate the darker side of her mind.

Marie-Line is juggling between odd jobs to support her agoraphobic father. Despite the precariousness of their lifestyle, she remains a lively and cheerful young woman. Yet, after a series of unfortunate events, she is fired from her job and sentenced by a judge to a small penalty. A few days later, this very judge will be in a position to help her get back on track – a chance for Marie-Line but also the beginning of an unlikely friendship.

This Spanish lost film showed various episodes where several Spanish try to achieve their dream about going to Hollywood.

Young director Zhang Jianchi’s debut film Take Me to Vietnam tells a mysterious story of family adventure, a coming-of-age story with non-linear storytelling.

A naive California teen plans to remain above the fray at his Nebraskan family reunion, but a strange encounter places him at the center of a long-buried family secret.

We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.

After learning their company has been illicitly spying, collecting and selling data on them, three millennial friends band together to fight back against a lecherous boss and the company's maniacal, Tarzan-obsessed CEO.

What will happen to the seesaw affair between five troublesome men and women? The latest masterpiece by director Kimura Satoshi, a new master of romantic ensemble dramas.