The Color Of Friendship

Kenji is a young aspiring movie director. He falls in love with Princess Miyuki, who came from a black‐and‐white movie.

After a car accident that caused the loss of her baby, Jane experiences an increasing amount of nightmares that shake her to her core. After seeking professional help, her haunting visions turn into an even more frightening reality, one full of black magic, blood orgies, and murder.

Ramiro has been diagnosed with autism. He loves order, his music, his sheets, the rhythm of the day, and the color of his room. His mother, Aurora, who has cared for him for years, will not reveal the reason why she has decided to move her son to her best friend Elsa’s house. Ramiro’s life as he knows it is destined to fall apart.

The materiality of reversal-film is being portrayed. This analogue technology, with its exposed chemical skeleton is clashing in an anachronistic filmic gag with contemporary digital animation. Colour is not presented as a natural, but a highly constructed medium in the expierence of film. This is a short experimental-essay which is questioning canonized and hegemonic film-rituals used to build and test cinematic-images.

An experimental documentary beginning as a cold chronicle that describes hygiene management in industrial sites in Korea, then suddenly jumping into sociology of leisure and hobby that represents today's thinking about labor.

One week each year Iranians stay out all night. Women abandon legal curfews. Men weep. Communities gather to mourn their saint's death, ask that wishes be granted, give thanks for prayers answered. While this week showcases Iran's most restrictive religious elements, it offers openings for this culture's most intimate connections. Is a change in the perception of love inherently political because it affects individuals and their view of the world? As we follow three couples negotiating love, we learn freedom is not what we assume it is and love is more than we imagine it to be.

Adel is a young aircraft co-pilot. Following a assault he may lose is eye.

The theatre company managed by Marco is passing through a crisis; the big networks invaded the market with their poor products and they lay down the law. Marco finds an important subject to work on: homosexuality; but it is hard to ask Federica, who is a writer and director, to work on it. That subject is a thorn in her side, as it was the cause of her marriage break up. Federica angerly refuses Marco's proposal, but after one night of searching, spent on Internet, she brings to light an aspect of the homosexuality, which doesn't want to give up, now: "The Pink Triangle" that means homosexuality as a martyrdom, the tribute of blood that homosexual people shed during the nazi period. Federica explains Marco and other actors of the company the new project, by telling the historical documentation. Each of them imagines his own character in dark colour performances, often brutal, following the line of blood that history has drawn.

During the Pinochet dictatorship, Jorge Lübbert became an instrument for the Chilean secret services, who forced him to work for them in an extremely violent way. He was able to escape from Chile and became a war photographer based in Belgium. Today, his son Andrés takes him back to the places of his unfinished past.

Arnoul is a frog, but not an ordinary one, on the one hand he is not real, on the other hand he can speak and he does it with passion. As the mascot of the popular “Kanechon” café in a no less popular seaside town, he saw how people find each other or diverge, how crazy film projects are forged, pure pipe dreams, but who knows? The main thing is that the day ends or begins with a pudding or rock 'n' roll.

In an apartment where lovers of art living for nearly three years, something happens and changes everything.

Rasoul who works as a teller in a bank, lives a simple life with his wife, Zohre, and their daughter. Until one day, he has a road accident with a wealthy woman named Batoul and her son. Rasoul takes them to the hospital and they soon realize that Batoul has gotten amnesia ...

In an authoritarian police state, a charismatic schemer is fired from his job as a secret-police informant, conjures up his own imaginary spy network and builds up an archive that he turns against his former masters.

"Óscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Óscar Domínguez, contemporary of Picasso. The film rediscovers the life of a talented artist who was ignored after he committed suicide, fifty years ago, victim of a serious illness which had disfigured his body: the Elephant Man's disease. The film is stirring and touching and compels admiration for the bohemian painter whose fate was self-destruction, after a wild crazy life. Lucas Fernández turns the life of a debauchee, who regarded himself a monster because of his disfiguring disease, into a universal story where art is the product of love and loneliness, of sex and violence before, during and after the Nazi invasion of Paris.

Paul seeks happiness in other people’s possessions. In the beginning he searches through his dead friend’s belongings, but soon he starts stealing other people’s things, delving into their lives and changing them radically. The painter Anna does not show her works to anyone until Paul appears and changes her paintings forever. Even the manager Katrin, who numbs herself with alcohol and sexual escapades after work, sees herself forced to rearrange her life.

This inspirational prime time television special chronicles the winding road from book, to screen, and to Broadway for Alice Walker's Pulitzer Prize-winning story as told by the talented people and famous personalities who have embraced it along the way.

Olivia Brontë, a movie star, travels to Switzerland for a photo shoot with a major fashion magazine. There she will meet Tristán del Val, a Spanish philosopher whom she met years ago. This reunion will lead them to revisit the past and reconsider their future.

An ambitious girl wishes to lead a simple life and who desires to lead a simple life, and who desires to fulfill her dreams. However, as in life nothing goes as decided and something unacceptable happens.

Second unit director Jonas Govaerts interviews Stanley, principle cast, and the producers about the making of the film. Wonderfully structured, “Hot Pink Horror” takes the audience through why this story was selected, how Stanley became director, how Cage became involved, why they shot the film in Sintra, Portugal, and much more. Even though 20 minutes doesn’t seem like much, Govaerts packs such a great deal of details on production, both creative and technical, that it’s almost a bit like a mini film school. If you really dug Color Out of Space, this is the piece to dive into and enjoy.