The Face Of Tutankhamun

Four bandits commit a robbery in a villa. The maid calls the police and Commissioner Carli immediately orders patrols to chase them.

In-ho, a successful businessman at a young age, seems to be good to his wife, Mi-yeong, but in reality, he is having an affair by sponsoring 20-year-old Soo-ji. One day, when Mi-yeong visits her parents' house, In-ho takes advantage of it and calls Soo-ji to invite her to his house. However, Mi-yeong suddenly returns home and is deeply hurt when she sees the two sleeping in the same bed. By the time she decides to divorce her husband despite his affair, she accidentally gets close to Min-woo, Soo-ji's boyfriend.

Set in a women's bath house, this film documents the changes of human life by charting naked female bodies from adolescence to old age. An intimate study of aging

Documentary programme about the Icelandic film industry with a main emphasis on foreign distribution.

The face of Cambodia is a documentary about the city Angkor Wat. Angkor Wat was lost for 700 years and is one of the Seven wonders of the World. The population of Angkor was around a million and the city covers more than a 400 square kilometer area.

Documentary about terminal care.

Somewhere in the Detroit multiverse, Slim Shady has escaped his 2002 timeline and popped through a portal to terrorize 2024. A serial offender with no shortage of targets, Slim's really back with Terminator-type tenacity, bent on taking out the very man that sired him: Marshall Mathers. In "The Face-Off" Slim and Marshall spar with the gloves off in an 11 minute roast battle that bends space and time, and shatters civility. Only when the dust settles do we discover which one wins the war for the soul of Eminem.

Lau Lauritzen plays an ordinary architect, with a wife and a son. He gets accused for killing a 10-year old girl, and of course nobody doubts he's the one. Even his wife and his uncle has trouble believing him, but at least they don't tell him.

Experimental short by Park YunBong.

Seiji Hirokawa works as a university professor. One day, his sick wife dies. Several days later, the intercom bell rings at his home and he sees a strange woman's face on the intercom screen. The woman asks "Is your wife at home?" Seiji Hirokawa opens the front door, but nobody is there. The president of the university where Seiji Hirokawa works suddenly dies. An election to select his replacement takes place. The election even involves the students and Seiji Hirokawa also participates. The professors are cautious with each other and a mysterious document spreads across the university. Meanwhile, Seiji Hirokawa carries guilt over his past behavior. Before his wife passed away, he had an affair with his sister-in-law Rei Mizushima. She works as an instructor at the same university. An unidentified body is found nearby at a garbage dump

8-year-old Elli and her mother, Marlène, live in a small town by the French Riviera where they act out to relieve boredom and hide from social services. When Marlène caves in to yet another night of excess, she chooses to leave Elli behind for a man she just met. The young child must confront her mother's demons in order to get her back.

Awkward and withdrawn, Masako kills her sister in an explosion of pent-up humiliation and rage that sends her tumbling into fugitive life.

A realistic depiction of the cruelties of war in modern time.

to eftihismeno prosopo tis leonoras

Investigating a series of kidnappings leads a police inspector to confront a scientist trying to gain immortality.

A notorious abortion doctor fell down from a night train and he was dead. A man who knows the truth of this accident starts to chase a up-and-coming model.

It is no coincidence that the second feature by Argentinian Melisa Liebenthal begins with a quote from “Duino Elegies” by Rilke, who was concerned with existential angst. And, more prosaically, Marina, the film’s young protagonist, is faced with similar anxiety. In fact, her problem is her face. One morning, she discovers her face has changed, and she can no longer recognise herself. Not even her mother can, who bumps into her on the street and says hello to her like she would to any stranger (deadpan, surreal humor is part of the film’s recipe). Marina is thus forced to confront her identity: who is she? Is she determined by her parent’s DNA or by her ID card? Can she be identified by a family portrait, by biometrics or the love of those around her, including her Colombian boyfriend? Is she prettier now?

Grigoris (Kostas Voutsas), a shopkeeper from Katerini, wins the first prize at a radio station that covers his expenses for a week in Athens. Arriving in the capital, the members of two gangs think it is Polydoros, the man who was to carry a stolen ancient statue to sell it to a rich collector. Grigoris, by chance, acquires the statue, and the captain (Kostas Kazakos) of a gang, with the help of a charming woman (Eleni Prokopiou), tries to trap him. Eventually, Grigoris will be hunted by both the gangs and the police ...