The It Factor

In 1913 India's cinema industry is born from Dadasaheb Phalke's efforts to make Raja Harishchandra (1913), India's first feature-length B&W silent film.

X Factor is a Romanian television music talent show contested by aspiring pop singers drawn from public auditions based on The X Factor series. It is broadcast on the Antena 1 channel in Romania. The competition is open to both solo artists and groups and has no upper age limit. Each judge is assigned one of three categories; the criteria for each has varied between seasons. Throughout the live shows the judges act as mentors to their category, helping to decide song choices, styling and staging, while judging contestants from the other categories; they also compete to ensure that their act wins the competition, thus making them the winning judge. The original judging panel consisted of Adrian Sînă, Paula Seling and Mihai Morar. In May 2012, it was announced that Morar, Sînă, and Seling had all left and would not be returning for the second season. On 15 June, before auditions began, Dan Bittman, Delia Matache and Cheloo were confirmed as the three new judges.

"Dragon Factory" is a facility for training male slaves that is the backbone of the financial world. Strict training was carried out every day. One day, a boy was sent there. The boy's name is Natural. Like the wind, he begins to blow holes in the Dragon Factory, and something begins to crumble..

Fadel and his colleagues Aziz and Hamdi are trying to make their way in life, and they hold advanced degrees, but luck does not crown their endeavor with success. Fadel visits his aunt Alawiya, who runs a private institute for girls in a traditional way, and asks to work in the institute, but she refuses. The three decide to establish a modern institute, similar to the aunt’s institute. To compete with her, to teach girls to be modern.

To escape mounting tensions at the advertising agency they co-own, French-German couple Nina and Jan whisk their kids, Max and Emma, away to their seaside vacation home. The couple has signed a new politically charged client, forcing them to confront their clashing priorities. But what’s meant to be an idyllic off-season retreat turns sinister when burglars tear through the house, unseen by anyone except Nina. Though at first the aftermath brings the family closer, it’s short-lived once Max reveals he glimpsed his father hiding during the break-in. As the police investigate and the evidence doesn’t add up, the account of what took place begins to unravel alongside the couple’s faith in each other.

Jiban goes into action to save Yoko and several captured children from Doctor Giba's plot of creating the ultimate lifeform.

What does mean to be gay and be a man? There's no straight answer for sure. From the Castro culture of the 1970s to today’s Bears and gym rats, this fascinating investigation of gay men and sexuality blows the lid off old stereotypes and showcases a battalion of interviewees including muscle men, rodeo riders, rugby players and cops. The men speak candidly on topics from homophobia to metrosexuality to embracing effeminacy as they reveal what it means to be a gay man in America today.

Hiyam, a young factory worker, lives in a lower-middle-class neighbourhood, along with her co-workers. She is clearly under the spell of Salah, the factory's new supervisor. Believing that love can transcend their class differences, Hiyam relentlessly pursues a dream of the pair being together. However, when a pregnancy test is discovered in the factory premises, her immediate family and close friends accuse her of sinning. Hiyam decides not to defend herself and pays an enormous price in a society that fails to accept her.

The Ursus factory once covered 170 hectares and employed 20,000 workers, producing 100 tractors a day. Now, its buildings stand derelict and empty; half have already been demolished by investors with new plans. The symphony of mechanical sounds and gestures that is gradually built up throughout the film is produced by former factory employees. Proud of their factory, they reminisce about the huge numbers of people and the parties they had. They were a community, passionate about supporting agriculture through their factory. The Ursus tractor was well-known, not only in Poland but throughout the world.

A successful woman searches for romance by speed dating in this drama. Eloise has a great job and a great education, but she's looking for love. Can a couple of minutes be the key to finding true love?

During the Japanese colonial period, 22 Korean female workers were forced to work in a spinning mill in Osaka across the sea to support their families. Despite facing discrimination and violence, their testimonies and life-affirming songs of victory have endured.

At an old factory on the edge of the forest, the Bear Factory Manager invites the Sumikkos to make toys. They make use of what they are good at, and complete their stuffed toys. The Sumikkos are motivated by the praise of the Bear Factory Manager. They have matching uniforms, delicious food, rooms to stay for the job, .and spend their days making one toy after another. Then, the toys that were shipped to Sumikko's town start moving around. There is something "mysterious" about this factory.

Mrs Bartolotti doesn’t really like children. She is therefore completely taken aback when she receives a son in the post: Konrad. Konrad is actually delivered in a tin! He is dreadfully tidy and almost perfect and Mrs Bartolotti is very chaotic. She actually becomes so fond of him, however, that she never wants to let go of him again, even if the weird people from the tin factory are already looking for him...

A documentary revolving around the Polish situation on an industrial level at the tail-end of the 1960s: it alternates between stark images at a metallurgic foundry and a board-room meeting among the various executives involved in its management.

Modern China. On a bright sunny day, in a building site, an industrial complex is being deconstructed. Night falls. The ruins of the factory are empty and silent. Phantoms appear, voices are heard, telling their stories....From the anthology The State of the World.

This film focuses on Koreans living in Japan. The filmmaker’s humanism comes across in the portrayal of a girl living in a shabby tenement, the warmth of a Korean girl she meets, and the friendliness of this Korean girl’s family.

The fifteen year old Maruska (Lenka Korínková) starts as a new staff in the porcelain warehouse. For the boss Svetla (Míla Myslíková) it is the last straw. She asked to extend her staff consisting of four girls and a retired lady by a man, not a child. The kind and ever fussy Svetla, battling in vain with overweight decides to leave her position and to take another one in the office. As soon as she finds out that the position will be taken by Arnost Jarolím (Josef Langmiler), she insists on a hand over inventory.