The L Word Saison 4 Épisode 1

A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.

Follows the relationship between two couples: An unemployed professor, Fernando, sustained by his factory worker girlfriend Rita, and sexist and reactionary Luís Carlos and inexperient Lilita.

Jill and Michael Stark are both deaf, as are their two children. Stuck between two cultures and wanting the best future for their children, they make the controversial choice for both of their children to undergo surgery for cochlear implants. They are part of only a handful of deaf parents in the US to choose implants for their children. After this seven year journey, was the result of the cochlear implant what they had hoped for?

Documentary testimonial Nicaraguan-Spanish director Mercedes Moncada. It is not an autobiography, but it points to a very emotional perspective with the Nicaraguan revolution. Narrated in the first person, the documentary tells testimonial filmmaker's memories from his childhood, when the revolution broke up the "loss and betrayal" of the Sandinista National Liberation Front (FSLN) to the political principles that had been erected.

The 21-year-old student Oliver Mansfeld attends a boarding school in Frankfurt. There he meets the married banker's wife Verena. A passionate affair develops between them, which does not remain undiscovered by Verena's husband for long.

The film tells the story in Brother Daguang's memories - The unspoken love that lacks courage and the vitality of friends intertwined with fate. This inspires us to cherish the present, embrace the belief in the beauty of life, never forget the way back no matter how far we go, be a down-to-earth person, and face life bravely.

Sedina, Jasmina and Senada, three young village girls whose world collapsed one day of war in Bosnia.

The film ‘System Memory Too Low For Words’ devised and produced by Ümit Kıvanç, which transforms Hrant Dink’s words to color, shape and sound, lays before us the ‘errors’ in the ‘system’ which did not allow space for Hrant Dink and his words.

TV miniseries "More than words explores the possibilities and ways of behavior in non-verbal communication, primarily movements, gestures and ways of expression, but also the causes and roots of their origin. The series also explores the most interesting changes in the development of different cultures, including tattooing, scarring and body painting. Series also deal with the language of deaf and blind people, different universal languages, laughter, whistling and other peripheral phenomena associated with non-verbal communication. It also answers the questions does politicians think what they say, do suspects lie to the police or the court and how their body language reveals them..

Effort to construct an audio-visual dance between the body of an 90-year old man and the body of his house, that has become an extension of himself.

As the youngest son of a humble family, Charles finds himself at a crossroads when his father puts on his shoulders the burden of getting the family out of poverty, putting in check his big dream: Photography. Black and poor, Charles ends up being pressured to engage in activities such as playing samba or engaging in soccer, in addition to having to deal with the prejudice that someone of his ethnicity is not compatible with the camera he carries.

A documentary about the hard work of railwaymen transporting coke from Tarnowskie Góry to Szczecin Iron works. They’re doing their best to arrive on time.

A man tries in vain to escape his self-imposed cage.

A documentary about Markos Meskos, the Greek poet... A journey through the Macedonian landscapes with the old strange place names, where Meskos was born and raised, places he never forgot – even when he left for Athens and Thessaloniki.

On Guadeloupe, an archipelago in the Caribbean, the past speaks up. Sylvaine Dampierre has the workers of an old sugar refinery read passages from the transcripts of an 1842 court case, while the machines roar and groan in the background. The testimonies of the slaves from back then in the rusty halls of today give rise to a polyphony both explosive and poetic in nature.

After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.

How to say love.