This Is Not Happening Saison 4 Épisode 8

The first Carapintada uprising in 1987 puts Raúl Alfonsín’s presidency in check. A meeting and a speech install an even more latent enigma.

The Brazilian constitutional rupture is recurrent and lurking. In this documentary-essay, the Tupiniquim coup framework is revealed.

1987 Hindi drama film written and directed by Sudhir Mishra, in a directorial debut. It starred Manohar Singh, Habib Tanvir, B. M. Shah, Pankaj Kapur, Sushmita Mukherjee and Naseeruddin Shah in lead roles

A non-film, with a non-story. moments to keep, moments to hold, moments.

Concert film featuring the Belgian group Sioen.

A short film by Abdullah Habib, shot in New York City.

An attempt to understand climate change through the production of human food; a few drawings to describe our world. This animation is the result of a workshop held with 15 children from the Limette School in Brussels during the festival Filming for the Climate.

After being arrested, young Lobna spends the night in an interrogation room.

Short film by Rachel L. Schreiber.

A family finds itself violently ripped apart from their native home and thrown into the sea, in search of a better future. A forest is raised to the ground to make way for industrialised agriculture. Images of a barren desert arrive from a lost future. A city seen from the sky expands, absorbing everything in its path. An unnamed narrator reads a letter addressed to an unborn descendant.

Melanie, a hairdresser, drives her son Stefan, a young author, to the first reading of his autobiographical debut novel DER SALON.

A woman's odd behavior makes everyone around her wonder if she's possessed or a ghost. Her husband is driven into the arms of a mistress and her best friend seeks guidance from a spirit doctor until she's found dead. The friend's boyfriend then decides to get the bottom of things.

Roger Waters, the creative force behind the golden years of Pink Floyd, presents his first Farewell Tour, “This Is Not A Drill”, Live from Prague, in cinemas around the world. This cinematic extravaganza is a stunning indictment of the corporate dystopia in which we all struggle to survive and will include 20 Pink Floyd and Roger Waters classic songs, including: “Us & Them”, “Comfortably Numb”, “Wish You Were Here”, and “Is This The Life We Really Want?”. Waters also debuts his new song, “The Bar”. Waters is joined on stage by Jonathan Wilson, Dave Kilminster, Jon Carin, Gus Seyffert, Robert Walter, Joey Waronker, Shanay Johnson, Amanda Belair and Seamus Blake to deliver an unforgettable performance with a call to action to love, protect, and share our precious planet home.

The story happened in the early 90s, Mrs. Ngoc returned to her hometown to sell her father's old house with her brother, Mr. Nga. In the first days when they returned to their hometown to live in an old house, they encountered many strange phenomena. Because of the secrets and word of mouth of the villagers about the old house being haunted by the ghost of Miss Trinh, the guests who came to buy the house also left. The story only really started when Mrs. Mai Lien - Mr. Nga's wife died mysteriously, and Betty's granddaughter Ngoc returned to her hometown with her was also missing, everything began to gradually reveal interesting and non-stop drama. by the end of the movie.

Filmmaker Joris Koptod Nioky moves in with his 71-year-old mother Rian to film her reflecting on motherhood. When he shows her a temporary edit, Rian is overcome by sadness and withdraws from collaboration. Her sadness quickly turns into anger that ends in a battle to have the movie banned.

A chilling experimental meditation on the lies in which we tell ourselves expressed through the starkly minimalist dioramic presentation of a seemingly empty home.

A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.