This Just In

About the creative path and pedagogical activity of the Soviet film director and actor S.A. Gerasimov.

After her boxing career back home ends in scandal, Chupa, a young Puerto Rican woman, must adjust to her new life as the superintendent of an apartment building in Harlem.

Møbler er ikke bare møbler (Furniture isn’t just furniture) is centered around an ongoing dialogue between a woman and a man who have settled inside the display exhibitions of an IKEA warehouse. They alternately read aloud from the marketing catalogue and discuss their relationship in a language mainly composed of hackneyed phrases.

Two little girls from different backgrounds have a seemingly similar dream. However, one is a nightmare and the other is a beautiful dream. It all depends on your point of view.

In Canadian-born John Cook’s restless documentary of an Austrian couple, I JUST CAN’T GO ON, the husband Petrus, channeling “Cassius Marcellus Clay,” takes up boxing to supplement the income from his day-job burnishing frames. His companion, the much older Gisi, works as a janitor. They are an odd couple, scavenging at the bottom of the Viennese social ladder. But there is nothing patronizing or exploitative in Cook’s treatment of the couple and their eccentricities as they try to make ends meet. In one of the film’s key aesthetic choices, Cook eschews synched sound in favor of a stream-of-consciousness soundtrack pitting Petrus and Gisi’s unfiltered remarks in relief against the harsh material world.

It tells the story of Li Qing Tong, a brave female general who faithfully defended Great Song Kingdom, after her father, the late General, died. However, her life changes forever when she meets Si You Yu, a young talented doctor who approaches Li Qing Tong purposefully, but later fell in love with her.

While in visiting Hong Kong to perform in a concert, a violinist from Mainland China got himself mixed up in a jewel heist and became a prime target of the robbers. As a result, he comes under protection by a tough and perfectionistic, yet hilarious female cop.

Two boys from different worlds. Of all possible times, the start of summer vacation is when 10-year-old Jona has to move away from Berlin to the German-Czech border with his mother and new stepfather. He's lonely and angry as he inspects his new surroundings. Across the border, he meets Miro, a 13-year-old Ukrainian boy. Jona is fascinated by the confident but taciturn boy, only slowly discovering the fate that's hidden behind Miro's grown-up façade.

As a spirited and inquisitive five-year-old, Basia loves to ask questions, chat about everything, and discover fun new activities. Along the way, she learns to identify her emotions and shows great sensitivity to her environment.

Various performers, including MC Masahiro Nakai, "just talk" without deciding any theme in advance! Making use of "Robot Arm-Kun", a camera that moves 360-degrees in all directions with no instructions from staff. They hurry and talk to the last second so it is broadcast uncut!

A young woman is employed as a waitress at the party of an important architect. There she meets his motherless children. When his father realizes the good relationship established within the children and her, he offers her to work as nanny for the holidays. Although their relationship is very tight at first, soon they find an irreplaceable emotional bond.

Mr. Bang is totally nervous. His doctor cannot help him either and recommends that he should go on vacation. Nothing easier than that. But the calm does not really want to come back. From struggling with a deck chair to encountering an octopus that is out for a picnic, he is spared nothing.

Ten-year-old Brigitte spends holiday with her father Peter on the Baltic Sea and everything is perfect until they meet strange and beautiful woman on the beach.

Shocking, intimate and moving documentary "Sve je bio dobar san" ("It Was All Just a Good Dream: the Frenchman from Vukovar") examines the events from the time of the war in Croatia and the arrival of the young French volunteer Jean-Michel Nicolier in Croatia.

Takase works part-time as a motorcycle courier but plans to switch jobs the next day to become a drug courier with his friend Kono. His final delivery is to pick up original illustrations from an artist named Nana and deliver them to her publisher. However, when Takase arrives at the designated time, the illustrations aren't ready, forcing him to wait around for hours. The artwork is finally completed late at night. With the job done at last, Takase decides to go out for drinks with Nana. Just then, Kono joins them, and the three of them head out into the night.

Using all the words he can find, a man tries to get a stranger to stay around—a stranger he approached on a street corner, one night when he was alone. He tells him about his world. A suburb where it rains, where everyone is a stranger, where no one works anymore; a nocturnal world that he is passing through, to flee, without looking back; he tells him about everything and about love, things one never talks about, except to a stranger like this one, a child perhaps, silent and motionless.

Sometimes life starts after death for someone. Like for a little parasite, who walks with a rotting corpse of a dead dog around an old landfill. Trapped in his unpalatable body he tries to find love and friendship.

Twenty-two years ago, identical twins Isabelle and Denise were born. At five, Isabelle protested against being called a girl. A few years later, Isabelle started using the name Sam. This is the story about Sam and his struggle to claim that he never was the one everyone thought.

1971 short film by Håkan Dahlström.

A young girl organizes a picnic for her boyfriend and her mother, which serves as a trigger for her thoughts regarding the relationships she has with them.