Which Way To

Feature documentary on the life and career of Tony winner Idina Menzel, culminating in her headlining a concert at Madison Square Garden in her hometown of New York City after a nationwide tour.

Brendan Byers III, one of the richest men in America, has been pronounced 4-F and can't serve his country in its war against Hitler. Byers does not take "No" for an answer and recruits other 4-F's to fight against Hitler.

A conscientious tanker driver, Thanasis Papathanasis, works hard to help his sister Afroditi study medicine. He believes that in this way he will be able to marry her off so that then he can finally marry Eleni, whom he has loved for years. His efforts, however, are all in vain, as he is constantly confronted with a corrupt establishment and political situation that generate all the prevailing misfortunes: personal, social and national.

Which Way to the War is an intended British television sitcom written by David Croft and Jeremy Lloyd, which was discontinued after a one-off broadcast pilot on 19 August 1994. It was also Croft and Lloyd's only ITV sitcom and Croft's last World War II sitcom.

Forest dwellers pound drums upholding rituals while urbanites cry "Progress!" More plunder the land's riches but newly defiant ones shout back.

Sexy Momoko turns tricks in her taxi to boost business, until she's finally discovered by her employer. Running from the authorities, Momoko abandons her cab to begin life as a fugitive, accompanied by her most recent customer.

The short follows a baby Shark who tries make it's way back the Ocean after getting shot out of Garmadon's Shark cannon. The short is animated in the style of the artwork seen in Lego instruction booklets.

Kren on his way from Vermont to California. Kren says that his various cars are the thread which runs through the story. (Hans Scheugl)

Between the 1960s and the late 1980s, the Algerian film industry flourished in an anti-colonial environment, giving rise to a nation of politically aware film lovers. Since then, however, the film industry and archives in Algeria have suffered due to the political and economic situation. This short video work consists of several sequences of found footage from various militant films made in Algeria from the 1960s onwards. The archive material was edited for this show to create a new narrative. Some sequences are reminiscent of politically engaged action in this country that was one of the African nations where liberation movements flourished most freely. Other parts of the footage show traces of time as a result of the deterioration in the film’s chemical composition and emulsion, resulting in abstract images with granular textures.