A Little Bit Of

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

A look at how an oppressed community can organize and overcome insurmountable odds to gain control of its government-run media in order to overthrow their corrupt governor. The documentary focuses on the non-violent uprisings that began in Oaxaca, Mexico during the summer of 2006

A documentation about Werner Herzog's motif to do movies.

Two crane drivers, one young, one old, are waiting to start work together for the first time. The older driver is an ex-teacher, standing in for the usual driver; he is afraid he may be found out...

Remco (15), his father and his younger sister Lizzy (13) sell illegally imported puppies from their home. In order to be seen and liked by his friends, Remco naively puts a video of his younger sister online, with unthinkable and disastrous consequences.

A little bit about myself and everyone.

Natasha works as a wedding photographer, her boyfriend Nikita is an aspiring artist. Natasha got pregnant, but she doesn't dare tell the guy about it. He is clearly not interested in children or family.

South African Film

A brutal break up precipitates an unexpected meeting and two sisters are forced to confront their long standing tension.

A make-shift Time Machine sends one man hurtling back through time - 3 seconds back in time

A bittersweet drama that documents the relationship dynamics between two young men, Sam and Will, over a period of time, placing their romantic feelings under scrutiny. The film depicts their very human sense of fragility and vulnerability, but ultimately, also of their maturity. Piece by piece, they develop a bond, but love has its own limitations, bit by bit, we see their certainty slip away. Following a chance encounter, the pair discover that they still care for each other. Despite residual feelings, they simply acknowledge their shared past, recognizing that love can come in many forms.

The boyfriend of an admiral's daughter poses as a detective in order to hunt missing emerald.

Helen is suffering from chronic depression and uses self inflicted pain as a means of escape. Alex loves her so keeps trying to care for her.

A Little Bit TV is an Irish documentary series that is currently airing on RTÉ. Made as part of the broadcaster's TV50 celebrations, in each episode, a well-known RTÉ presenter is profiled in detail.

"A Little Bit Country" is about an inevitable part of growing up: the sinking feeling when your parents find your cigarettes, lads magazines or the cheap cider hidden in your wardrobe - and confront you one morning across the kitchen table. Whether it's model trains, crochet and crafts, coin collecting, doll making or medieval reenactments, we all pursue peculiar passions that we may be too afraid to admit to the world. And the question is, "Are you a little bit country too?"

A child from the New York tenements sings on a radio quiz show and is eventually hired to a big-bucks contract, which allows her and her family to move into a posh apartment, with all the usual problems that accompany sudden wealth.

Jon Richardson investigates OCD. Is he simply a demanding perfectionist or does he have obsessive compulsive disorder?

Kenneth Cranham and Rachel Davies star as the parents of 19-year-old Marian Fairley, who finds a pair of women's knickers in her husband's laundry. Outraged to think he is having an affair, she takes the TV, the microwave and the baby, and moves in with her parents down the road. But an even bigger shock awaits her.

A 1988 Bafta nominated short film by British animator Karen Watson. The film uses mixed media animation and unconventional narrative to explore the issues of domestic violence and child abuse from within the confines of the patriarchal family unit.