A Terra E O Tempo Vozes Do Quilombo

José Nascimento films the process of the Agrarian Reform that happened in the Portuguese region of Alentejo during the aftermath of the Carnation Revolution.

Os Paralamas do Sucesso embark on a journey to the parts of Rio de Janeiro that were the most significant in their history. It was in this city that the band's career began. The artists recall the songs and sounds that they used to draw inspiration from, and the new rhythms that were changing the history of music. From Vovó Ondina's house to Circo Voador, Herbert, Bi, and João recall stories, relationships, and feelings in different parts of Rio, taking us on an exciting journey. We will get to know about their first steps in music, when all they had was their dreams and they still couldn't imagine that their efforts to make music would turn them into one of the most important bands in the history of Latin music.

Dora and David meet each other when they wake up in the same bed.

To look up, down, and around. To glimpse the present.

A woman flees to an isolated island, expecting peace and inspiration to write a novel. Her arrival, however, threats the stability of the islanders' lives as it stirs conflict between two men.

A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.

Directed by the photographer Maureen Bisilliat, the documentary portraits the everyday life in the indigenous village of Mehinaku, in Alto Xingu, showing the planting and harvest of cassava, the fishing, the preparation of the annatto ink, the modeling of the domestic ceramics, the division of tasks between men and women, the work at the collective land, the relationship between parents and children, the marriage ceremony, the exchange with other villages and the great celebration of the Yamuricumã party.

In a neighborhood on the outskirts of Rome the crime, drugs and graffiti are pervasive. A large apartment complex seems to be a prison for the inhabitants. Marco returns to the hood after serving time in prison for dealing drugs but he's rejected and abandoned by his wife. His old friends still want him to deal cocaine for them. At first he's reluctant but it seems to be all he knows to do. Faustino, Massimo and Federico are delinquents who hang out together while doing drugs, petty crime, and looking for sex. Sonia is different from the rest because she studies and works all the time but even Sonia won't escape without being a victim. A tragic incident brings the main characters together and leaves behind a trail of fire, blood and violence.

“Land far away” is an expression typical of Cape Verdean emigration, which reveals the distance that emigrants feel in their “exile”.

The story of an honest young man entangled by a night singer in the Camorra.

Nossa Terra is a combat film, an urgent film, shot during the guerilla warfare surrounding Guinea-Bissau’s struggle for independence in the mid-1960s. Before becoming a politically committed filmmaker, Mario Marret had been a resistance fighter, an anarchist activist, a radio operator, an explorator. Making his way in French anti-colonial activist circles, he moved closer to the PAIGC (the movement for independence in Guinea and Cape Verde), who was then interested in cinema as a combat tool. He will be the first director to join the struggle. “It was a testimony. Never mind the format, the camera, all these things, a filmmaker was present. The filmmaker must be at the place where the world is made, when it is made. (Mario Marret)”(Léa Morin)

Ermina is a Haitian girl who lives in the "La Victoria" town, on the border with the "Lo Valledor norte" town. Although this seems an inhospitable place to live -Ermina and her friends- it will make it the best place in the world, a place where nothing matters: neither color, nor nationality. A place that does not belong to anyone, but which is Ermina's home.