Alang Alang

Travelling through his coconut plantation, Suhiyat, the prodigal son of a wealthy man, runs into Suyati who is being harassed by Rainan. When he helps Surati, he also inflames the jealousy of Rasmina, the widow, who is attracted to him, even though she is courted by Karta. Heartbroken, she gets Rainan to abduct Surati. But she escapes inside the woods and manages to befriend the animals. These animals are the ones who save her when Rainan's men raid the woods to take her back. Finally Suhiyat rescues Suyati. Rasmina regrets her evil deeds and returns to her former husband, Karta.

Huda, a fish thief in fish auction, decided to leave his home since his mother passed away in addition to abusive behavior of his alcoholic father. Harsh life in the auction site made Huda want to achieve his dream to catch the golden fish in sea. Sri, a fish collector, is close with Huda and considers the ‘golden fish’ as a myth. However, Huda is becoming more confident that if he were to catch the golden fish, his life would be happier. In the end, Huda must choose whether to survive in the fish auction site with little hope or go to find the golden fish in desperation.

Alang-Alang is an Indonesian three-part television miniseries directed by Teguh Karya and broadcast in December 1994.

Set in a dystopian landscape, humanity's strife for survival causes mankind to reminisce past memories. One man in particular decides to remember a special woman from his past.

A simple story of a farmer & his son. It is dry season but they need to plant in order to survive. However, their positive outlook help them to think of other solution.

It is said that Nadin (22 years old) is one of the students who made a cultural visit to Kasepuhan Banten Kidul, she violated the rules that should not be done in the sacred traditional leuit (rice barn). This made Nadin meet a mysterious village youth named Alang (25 years old) who came to bring happiness and made Nadin fall in love but soon he disappeared. Nadin searched until she began to realize what was really happening. Under the traditional leuit she mourned her sadness dreaming of beauty that never came true.

Mysterious images shot around a wadi (a waterway in North Africa or the Middle East, often dried up), perceived as too calm by the filmmaker and his brother hence the “windless” of the title, are the setting for excerpts of audio conversations. In these, three men painfully describe their unmentionable traumas, which they have buried since childhood.