Always

In the midst of (anti)feminism, right wing populism and precarity emerges a tender story of solidarity and friendship between the young protagonist Laura, her best friend Aylin, and Tamara, a non-binary trans person in her mid sixties.

A story about a family of three – father, mother, and daughter, and then just mother and daughter, whose relationship becomes tense after the father passes on. As the poem goes, “the moon is not always full, life is always full of ups and downs”, the father has always had a wish. What is it? And how will the mother and daughter carry on with life?

A couple who do not understand each other finds themselves in the world of a haiku written by a girl. When the heroes go back, reality changes.

It is spring and grandma Margara teaches her four grandchildren how to plant in little flowerpots. Three of them decide to fly away from the family patio they live in and go out to discover the world. Years pass, grandma gets older and those who left are present, in their own way... but never like the ones that stayed. Distance might not bring a return and people can come back or not. But spring, yes, spring will always come back.

Lee Yeon-moo is a successful condominium distributor who has a dream to use his wealth to try out for the National Assembly. While he is actively lobbying his way around, a man named Lee Sang-doo threatens him to expose his inappropriate relationship with a woman who has a practical part in the distribution business. One day, Lee Yeon-moo is found dead in his car after meeting Lee Sang-doo....

Through a feminist lens, the filmmakers pay homage to their professor Marija Ujevic Galetovic - one of Croatia's most important sculptors. Marija's life story and views are told through a combination of video footage and animation of her feminine sculptures.

Plastic artist Aparicio Arthola talks with his student about the catarsis in his creative process, the loss, death and uncertainty of art life in Nicaragua

Jun-ho likes taking pictures, and so does Sung-hee... He is showing her how to take pictures. One day, Suk-ho who has taught him taking pictures asks a favor of filming a still, and Jun-ho promises to go there with Sung-hee. That day, Jun-ho, who arrives later than Sung-hee notices that Sung-hee and Suk-ho become intimate. Oddly he feels that somehow something goes the wrong way. Since then, Jun-ho hears a bad news from his friend, Hyung-gi that he has seen Suk-ho going out with Sung-hee. He makes hard work of it. On his birthday, it happens for him to reveal innermost feelings toward her in an unexpected situation.

People seem to find their way in a rebuilt city. They live their lives and rush home at the end of a working day. Until a colossal eruption shakes the city and embraces it in a blanket of smoke. Modern interpretation of the bombing of Rotterdam, inspired by a poem by Dean Bowen.

Documentary about the AvtoVAZ automobile plant, everyday work and development of new 2107 and 2108 models.

Ezzat and Hassan are friends and co-workers. Hassan admires Soad but he can't tell her about his feelings because of his shyness. He asks his friend Ezzat to tell her instead, but things don't go as expected. Ezzat also receives letters from an unknown person threatening to kill him.

The wind will bring us an imperfect future in which they will never be able to touch them again.

Alberta, Julia, and Catalina are three Chatino migrant women who have had to leave their communities to work on the Oaxacan coast. Catalina sells food, while Alberta and Julia work in lime and papaya orchards. The three women endure discrimination and the challenges of survival in an unknown place—all in order to improve their families’ quality of life.

A teenage girl, Norah (Marie Kremer), living with her depressed father, Jean-Michel (Thierry Lefevre), in Luxembourg, obsesses over the whereabouts of her missing mother, who left them both when Norah was still a newborn. Norah is a misfit and devotes her energy to helping others and conversing with an imaginary friend. But, when she receives information pertaining to the possible location of her mother, Norah has to seriously think about inviting the woman back into her life.

This engaging Afrikaans comedy/romance is about the power of love and music to transport and inspire, and to make dreams come true – sometimes. Fanie (Frederik Burgers), a struggling producer/composer, needs to write a winning song to keep his agent happy and his company in work, but, alas, he’s lacking inspiration. Until, that is, his musical partner Ben (Al Debbo) starts dreaming – and singing in his sleep – about a beautiful girl, all in operetta style. Seizing this Cupid-sent gift, Fanie secretly tapes Ben’s songs. The delighted agent pushes for more songs to produce a full-scale musical, which means Fanie has to keep Ben dreaming, and stay awake to tape the songs. All goes well until Ben suddenly stops dreaming. Fanie’s attempts to restart the flow of inspiration fail until Cupid’s arrow comes to the rescue again – only this time, it is Fanie who falls in love.

Ex-lovers Anthony & Durga, who are now happily settled in their respective married lives, have a chance meeting after a gap of eight years in Abu Dhabi, a meeting that ends up being a journey of self-discovery and new beginnings.

The film explores the extent of how a hypothetical sudden government decision during a global pandemic affects a person who simply wants a grasp of the American dream and the conflicting emotions and thoughts of what they decide to do before the departure.

"Life is always concrete!" – says the hero of the film Anatoly Kanashchenkov throughout his life. At any time – socialist, perestroika, after the collapse of the Union – the "red director" Kanashchenkov emerged victorious from the most difficult situations. However, now, in order to get out of the unfair game of circumstances with dignity, he needs to lose.