Calle De La Resistencia

A fatherless family immigrates to Israel from Egypt during the British Mandate period. The film traces the hardships the family suffers in the politically unstable country.

A man's daughter is killed by thieves during a bank robbery. Due to the incompetence of the corrupt authorities, he decides to take to law into his own hands and track down the killers.

Ambitious but thwarted, Rae Smith meets handsome Marine Paul Saxon, (of the Saxon department store chain), as he passes through Lincoln, Nebraska, on his way home from World War II. There's a definite spark between them but circumstances intervene and he leaves town without her. Later she learns he's married. Determined to make it as a fashion designer, Rae moves to New York and becomes a great success. One day she happens to meet Paul again and again there's that spark but he's still married so, as a form of escape, Rae moves to Rome to set up shop. Once again she meets Paul and finally they begin an actual affair since Paul's shrewish, drunken wife, Liz, won't give him a divorce. Time passes, the affair continues whenever time and place permit, but then, Paul's young son finds out about Rae and Rae's back-street world begins to crumble.

The artist, emphasizing the objective dimension of the film camera, draws attention to the opposition between the space of the frame (what is presented) and the space outside the frame (what is excluded from the frame, i.e. the continuum of reality). According to Katherine Russel, such a strategy “emphasizes the subordination of reality to form. The picture frame, which has its own autonomy, limits the "view" to a simple economy: inside / outside. The nature of the "interior" is determined by the composition and detail, "outside" there is an unknown space that is never fully described. The fixed frame represents the intentionality of phenomenological consciousness, but at the same time it defines the limits of what is visible and knowable. The static frame indicates the subject of perception. The four sides of the frame also direct our attention to what is beyond it, that is: a continuum of reality defined by a kind of anti-continuum of the frame ”.

Regina, a lonely 65 year old who works on the neighborhood watch for the police in Copacabana, believes to have witnessed a murder in the building across the street, and ends up getting involved with the suspect in a potentially dangerous chain of events that will force her to take stock of her life.

During a hallucinatory incident, Kristen Parker has her wrists slashed by dream-stalking monster, Freddy Krueger. Her mother, mistaking the wounds for a suicide attempt, sends her to a psychiatric ward, where she joins a group of similarly troubled teens.

Emily Crane is fired after refusing to give names to a 1951 House Un-American Activities Committee, and takes a part-time job as companion to an old lady. One day her attention is drawn to a noisy argument being conducted largely in German in a neighbouring house, the more so since one of those involved is her main senator prosecutor. Starting to look into things, she gradually enlists the help of FBI officer Cochran who was initially detailed to check her out. Just as well when things turn nasty

The sad and happy times of a young girl and her bear doll, a young mouse and his family, a sycamore tree, an old lamp post, a hoodlum moth and an alleyway full of posters coming to life.