Camera D

A successful white documentarian deals with the fallout from his last film, which caught the murder of a Black teen on tape. While he films a new doc series, someone else tapes his every move.

When a successful TV personality is robbed of her new film camera, she exaggerates the story to get the most out of her insurance. However, when the young suspect unexpectedly gets arrested, this trivial lie ignites a chain reaction of unforeseen consequences that will know only losers in the end.

A punk rock band becomes trapped in a secluded venue after finding a scene of violence. For what they saw, the band themselves become targets of violence from a gang of white power skinheads, who want to eliminate all evidence of the crime.

As a police officer investigates the gruesome murder of her colleague, she discovers that a mysterious supernatural force is behind it.

‘Snuff film’ with a little boy witnessing a real life on-camera murder.

The doc brings us back to a 1961 football game played in front of 40,000 people at the Orange Bowl. A high school football game, pitting Miami High against their rivals from Edison High. The title refers to the coaches of each, and the film follows them separately, with their real families and their clan of players, in the days leading up to the big event. And then at last it astonishingly chronicles the game from all kinds of angles you wouldn’t expect from even the newly mobile tools of the Drew crew. Today’s television coverage doesn’t come nearly as close to capturing the spirit of the sport and its fans the way Lipscomb does here. (Nothing But the Doc)

A revolutionary tale of a young Nepali woman's determination to challenge social norms and transcend the life she was born into, through documentary filmmaking.

Gay serial killer in Washington, DC uses dating web site to stalk victims.

During a bank robbery, the manager and a cashier are locked in the strongroom, while the crooks escape. Later, when the gang realise that their plan to release the pair has gone wrong, they return to the bank to try and release them before the police turn up.

Smartest Guy in the Room pits geniuses with 140+ IQs against one another as they compete in challenges involving feats of skill across a variety of topics.

Liesel Landauer and her friend Hana are linked by a lifelong relationship and an exceptional house built by the architect Von Abt for Liesel and her husband Viktor in Czechoslovakia in the early 1930s.

"Virulentia was, above all, a place of theatrical experimentation and simultaneously a proposal to step outside the theater, set in motion by Aldo Braibanti —a 'place' where, through the individual real-life experiences that actors brought with them to the stage, life, research, poetry, and love intertwined. The camera approached this collective psychodramatic ritual in an attempt to 'reinvent' the history of vision, the biological evolution of the eye, which, emerging from the primordial waters as from amniotic ones, gazes upon the land; reliving with the actors the evolution that the species has undergone, and attempting to make visible how the past of our animal ancestors (what Ferenczi called onto-phylogenesis) is present in our dreams and everyday behaviors." (A. Grifi)

Life changes for three women who run a failing hotel when a mysterious man washes up at the beach.

In 1960, Robert Drew founded his production company Drew Associates; joining him were a number of well-known or soon-to-be well-known documentary filmmakers including Richard Leacock, Albert Maysles and D.A. Pennebaker. Between 1960-63, Drew Associates produced 17 documentary films for television. Aga Khan was part of a 12-film subset of these known as The Living Camera, which were funded by Time and broadcast in syndication around the country. It shows the young Prince Karim at a time when he recently took over as spiritual leader of his Ismaili Muslim community. The film follows him to Switzerland, France and Africa as he steps out of the shadows to lead as the hereditary Imam.

A mother and her young son release unimaginable horrors from the attic of their rural dream home.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

An expressionist biography of Edith Stein, who converted from the Jewish faith to the Catholic one and became a Carmelite sister. She would die in a German concentration camp.

A young man slowly realizes that he has become the chosen target of an ominous supernatural presence. As he scrambles to stop it, he realizes there is more to this haunting than meets the eye.