Celui Qui N Existait Pas

Greece, in the 1920s, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. The leading citizens of the town, under the auspices of the Patriarch, choose those that will play the parts in the Passion. A stuttering shepherd is chosen to play Jesus. The town butcher (who wanted to be Jesus) is chosen as Judas. The town prostitute is chosen as Mary Magdalene. The rest of the disciples are also chosen. As the movie unfolds, the Passion Play becomes a reality. A group of villagers, uprooted by the war and impoverished, arrive at the village led by their priest. The wealthier citizens of the town want nothing with these people and manipulate a massacre. In the context of the 1920s, each of the characters plays out their biblical role in actuality.

The one that burns is the choral story of Algerians today who struggle in the image of this frozen fish which passes from hand to hand, from the Kabyle mountains to the coast, to end up coming back to life and Submarine in the deep sea of ​​possibilities.

Simon is a young tenor promised to a beautiful professional career when in 25 years, a skid in a swimming pool makes him tetraplegic. In spite of this terrible accident, Simon wants to sing again.

A walk in the promenade. The film traces a trajectory – from inside to outside, from shadow to light, from Vassiliu to Pierre, from the intimate to the public, from the past to the present. The film sounds like a song – one of which we remember the tune, sing a few couplets of and listen to the chorus with pleasure. Each outing is full of surprises and wonderful encounters. Meetings of emerging songs. A staging in small touches – like a chorus. At home, Pierre gets dressed, gets ready, gets dressed, puts on his stage shirt. Once outside, Pierre crisscrosses Sète. A port city where the incentive to travel is almost permanent. Pierre touches the people he meets with humor. The succession of these encounters places the film in the present.

What happens when a documentary director gets dangerously carried away in the whirlwind of staging her character? Between filmmaker and person filmed, who manipulates who?

At the top of a canyon, the old Indian Flying Shadow teaches the young Nayati the ancient art of smoke signals. This is the meeting of two opposite characters. The boy’s hyperactivity upsets the calm of the old shaman soon causing disaster.

In a futuristic world, everyone has a chance to meet with a decesased loved one for 10 minutes.

Marcos and Osmar live together in São Paulo. Marcos meets Walmir. The three of them live together. One day, Walmir disappears. His absence spurs Marcos and Osmar to scout out the city in search for him.

He was called "He Who Has Two Souls". He was beautiful as a woman. And handsome as a man. He hesitated.

A mysterious individual, silent and taciturn, appears one evening in a Breton inn and arouses curiosity before provoking hatred, fear and, finally, his own death. The film was screened for the 1972 Directors' Fortnight, at the Cannes Festival.

The friendship, somewhere in South America, between a revolutionary and the mercenary who holds him prisoner.

In the gilded enclave of the imperial court, Minamoto Hiromasa befriends the mystic Abe Seimei, solving tricky cases rising from the demonic realm.

After their boss' death, two clerks eagerly await the arrival of the next one, each one of them hoping to become the apple of his eye. They compete in every possible way to impress him, which causes lots of trouble and many misunderstandings.