Coda Film Complet Vf Gratuit

A conclusion and recapitulation of the Eryngium cycle, Coda deals directly with the theme of self-portraiture. The first shot alludes to the end of Erichvon Stroheim's Foolish Wives, where the corpse of the hero-director is dispatched in a man-hole. Other dramatic self-portraits follow: Caravaggio's Goliath, Dante's Sestina (read by the film-maker), and Dürer's Self-portrait with Eryngium. The abandoned villa of Migrazione is revisited. But the finale is hopeful.

Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.

This tiny film is a poem which recapitulates many of the ideas presented in the earlier films and serves as a tiny song/verse to remind the viewer of the things that have come before and the things which will continue in the future.

When faced with a future alone, Harry chooses to relive the past.

An act of violence in the shower room of a boy's prep school gets out of hand and all of the participants are traumatized.

Cleo is a sweet young woman who lives alone in her apartment. Bored and eager for love, Cleo looking out the window, falls in love at first sight with a beautiful woman with whom she only exchanges glances. Dreamily, she believes that the feeling is reciprocal.

Nina is a rat-girl who lives with her kind in an underground village, which is ruled by a harsh tyranny. But she will discover that a big world exists outside, and she will escape there to improve her understanding of reality.

These four films spontaneously manifested as four stages of life: childhood, youth, maturity and old age. Elohim was photographed in early spring, the week of the Lunar New Year, the very spirit of Creation. Abaton was photographed a few weeks later in the full ripeness of spring, the very purity and passion of the Garden. Coda was photographed in late spring, in the aftermath of this purity, the first shades of mortality and Knowledge appearing. And finally, Ode, photographed in early summer, is a soft, textured song of the Fallen, the dissonant reds of death, seeds and rebirth. – Nathaniel Dorsky

A young man is lost in his thoughts trying to avoid a reality that is unbearable for him.

Toccafondo made some 1200 drawings of the silent movie star Buster Keaton and subjected them to his process of transformation. His hero collapses, climbs and parades on an ever changing canvas that is set to exhilarating violin music.

Short work.

Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’

Water runs under a bridge A church looms overhead A couple films each other on the shoreline Walking into a sea of chaotic filmic decay Super 8mm Kodachrome shot by my parents in 1985, and buried by myself in late summer of 2018.

Part of Beebe's Films For One To Eight Projectors, an immersive audio/visual experience that Creative Loafing called “both erudite and punk, lo-fi yet high-brow shorts that wrestle with a disfigured, contemporary American landscape.”

The old man's miserable life finally comes to an end.

Filmed on the volcanic island of Gotland, Sweden, the work unites myth, body and landscape when a raincoated dancer is stunned by an encounter with a floating, living, rotating rock.

Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs.

A double journey into Kerala in India. Ghedalia Tazartes dips himself into the sea of Indian traditions in Kerala, from Katakhali dance and music to field recordings on location. A fantastic journey beyong India, through countries of the imagination. Another genre and cross cultural experience by the French master.