De Da De Dum

Monica's rabbit disappears and she goes to explain to Chives. The boy, who is helping his mother with the Christmas decorations in her house, full of joy for the special date, is surprised by the arrival of the very angry short girl.

A film about the Carnation Revolution.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Jeong In is found dead, grasping a note forewarning her death. In the past, she and Min Tae Chang conspired and killed Baek Seol Ah's father and stole his fortune. After using the money she stole to become the CEO of a production company she found, she meets and falls for Seo Jin Ho, an aspiring actor who looks just like her first love. Jeong In transforms him into Jung Woo Jin, a top star. However, she learns that his former love is Baek Seol Ah and that Park Jin Kyung, the unrevealed writer of "Poker Face," is the same person as Baek Seol Ah. Baek Seol Ah vows to get revenge after learning that her ex-boyfriend, Seo Jin Ho, is involved with Jeong In, who had murdered her father. She resolves to write a drama to complete her revenge. Could Baek Seol Ah be Moon Jeong In's murderer? The culprit was someone in the banquet hall, but everyone wished for Jeong In's death. Who was it, and for what reason did they kill her?

This spin-off of the wildly popular House Hunters goes around the globe. Home hunters and their realtors check out all sorts of architectural styles and work through the quirks of buying real estate in other countries.

The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their self-interests intact.

This short documentry brings and reminds details about the history of samba school Estácio de Sá and its first triumph in Rio de Janeiro Carnival competition, when developed the parade about 1922 Modern Art Week in São Paulo.

Garbage mountains through the streets. People covered with garbage and moisturizing with manure. Garbage with a neon glow. Trash with hologram and stereo sound. Garbage is a high competition billboard. Garbage is the new currency and its ballast is greater than gold.

The documentary shows the Journey at the Brazilian Culture ICU and his death shortly after, along with its creator and morator, Gido Araújo. The film takes a journey through the 35 years of existence and resistance of the most important cinema movement in Bahia. The most prestigious filmmakers from Brazil and many others from different countries passed through the Journey, always keeping the motto in mind: for a more humane world.

A discreet look at the creative process of the painter Lito Portela during the last days of work on a painting that reflects the sea waves.

Mirages, heat strokes, entities that inhabit the mountain in the north bypass. Between valleys, border with the great mountains, observatory and crossing area. […] Every turn a thing rolls around another. […] Executed in a single movement, post-production in camera at the same time that it conjures and is in that trance of sun, mezcal, desire, ancestral clinamen, chaotic attractors in something that looks more like a ritual than filming. Execution, pulsation, drive, impulse, the cinema machine as an instrument, it is played, it is made love to, subtle and abrupt. Filmed with the hands, with the body. […] Almost fluid cosmic planes a single matter for all beings. Other spatialities and time intensities, such as insects, microbes, plants, stones, clouds. […] A gesture that invites you to do and not to look.