De Memoria Y Escombros

Looking for news of his ex-guerrilla sons, a man agrees to collaborate with his restaurant in a network of drug dealers.

A journey through time between the 70's and present days, by the hand of a little group of women who shared political prison in Argentina at different places and periods from 1975 till 1979. Almost 25 years after, an unexpected fact with surprising elements summons them to undertake an emotional and common task as a result of a text of prison memories which, in 1983, they thought had been lost.

The movie is set around a small group of characters experiencing relationships which build and crumble before the viewers eyes. The title of the film refers to the belief, expressed by several of characters, that the goldfish retains a memory of something for only three seconds. Tom, one of the principal characters in the film, draws comparisons between this and the human tendency to jump from one relationship to the next, "forgetting" the pain that any previous one might have caused. The film shows complexities involved in straight, gay, lesbian, and bisexual relationships.

Blas Quadra, a writer who was part of the Latin American boom of the '60s, now lives in Uruguay, blind and in seclusion while his son Gabriel is quite successful as a screenwriter in Spain. But one reporter found many similarities in the scripts of Gabriel and his father's work.

In 1956, while living in Chiapas, Mexico, U.S. anthropologist Roberta Montague adopts a baby girl, and asks her colleague, famous Cuban ethnologist Calixta Guiteras, to be the girl’s godmother. Inspired by the triumph of the Cuban Revolution, Calixta decides to return to her native island. Parallel to Maite's search, film director Guita Schyfter, born in Costa Rica to European Jewish immigrants, shares with us her own personal story.

The Trans Memory Archive gathers the images and stories of trans women for more than 50 years, preserving the memory of those who suffered the outrages of the police, the abandonment of the State and the hostility of the society that witnessed, indolent, a silent genocide. Cintia, Edith, María Belén and Trachyn survived. They share with us the intimacy and complexity of those who faced injustice and pain with humor and creativity, but also with organization and community. In the style of a documentary essay, the series is structured along four axes, each one starring one of them: they talk about carnival, affection, exile and organization, and through their personal experiences they open the door to understand the reality of an entire community.

After the death of his mother, a repressed tv writer is forced to take care of his father who is loosing his memory, obsessed with his wife is still alive and lost.

An old man lives in the solitude of his immense film library. A place that seems infinite and eternal in which each shelf contains an invaluable treasure, your memories.

The quiet walk of a family is interrupted by the presence of a latent danger. This photo documentary reconstructs the spaces of the Parque de la Memoria through its works of art, while evoking the ever-present horror of the last military dictatorship.

Josefina's personal journey to Nuremberg, Germany, where she arrived as an immigrant from Franco's Spain at the age of eighteen, along with two million other Spaniards who left home to find a future.

Ten years after the Law of Expiration, this documentary analyses the historical background of Uruguay's recent past. It is a survey of the controversy stirred up in society by the fact that, thanks to this law, the armed forces personnel and police who committed crimes under the dictatorship (1973-1985) have gone unpunished, and it examines the scars the authoritarian regime left on a section of the population.

According to the International Institute for Strategic Studies, Mexico became one of the deadliest conflict zones in the world in 2017, second only to Syria. In 2008, the Mexican government sent the army to Chihuahua on the Mexico-Texas border to fight drug traffickers. What seemed like an attempt to control the cartels turned into state-sponsored disappearances and the murder of journalists, human rights activists and civilians. The survivors and those threatened by the conflict pushed at the unwelcoming border of the United States, hoping for asylum. With stunning visual poetry, director Marcela Arteaga weaves together a record of their memories told over the backdrop of the once-vibrant landscape of the Juarez Valley. She also highlights the extraordinary work of Carlos Spector, an immigration lawyer born in El Paso, Texas, who fights to obtain political asylum for those Mexicans fleeing violence.

This film takes a dive into a photographic archive that portrays the 1968 student movement in Mexico. By reviewing over 1300 photographs of students, soldiers and citizens, and the development of a movement inside the Mexican capital, marked by the massive uprisings and the government's repression, the film questions the relationship between memory, power and representation.