El Rostro

A youth named Diego (David Chocarro) was released from prison, 20 years after being incarcerated. He was unjustly accused of a school massacre. Soon after his release, he finds himself entangled in a series of conspiracies and intrigues. With the help of his psychiatrist, Antonia(Maritza Rodriguez), he begins to uncover the mysteries surrounding the massacre.

A man in a small boat reaches an island on the Paraná River. He heads towards a site where there used to be a house or small village. Now there is nothing. Slight signs of something old and lost: the place where he was born. His presence allows the things in the abandoned spot to materialize: huts and tables, animals and canoes. Soon others arrive on the island: his wife, father, friends, and children. This is a meeting of the Man and his loved ones. With the dead, the birds, the river's music and his pain.

Paraphrase between the face of man and the face of the earth. It has a fundamental question: Who owns whom? The earth, man or man, earth?

A faceless killer who hunts women can only be stopped by a detective with a disturbing past.

El Rostro de Analía is a Spanish-language telenovela produced by the American-based television network Telemundo. It stars Elizabeth Gutiérrez, Martin Karpan, Maritza Rodríguez and Gabriel Porras, with the special appearance of Gaby Espino.

Dr. Forti carries out strange experiments, assisted by his son Pablo. They embark on an expedition to the jungle. Eight years later Forti returns without his son but strange things start to happen in the old house where they live.

A group of people take shelter from the storm in an old spa served by a marriage and a servant. It is a very diverse group, highlighting a man who, with his wife, carrying a briefcase full of money. At night, at dinner in honor of the newcomers is a power outage and shortly afterwards, they realize that the man with the briefcase has been murdered.

Faces Bullfighters

Mexican feature film

It is no coincidence that the second feature by Argentinian Melisa Liebenthal begins with a quote from “Duino Elegies” by Rilke, who was concerned with existential angst. And, more prosaically, Marina, the film’s young protagonist, is faced with similar anxiety. In fact, her problem is her face. One morning, she discovers her face has changed, and she can no longer recognise herself. Not even her mother can, who bumps into her on the street and says hello to her like she would to any stranger (deadpan, surreal humor is part of the film’s recipe). Marina is thus forced to confront her identity: who is she? Is she determined by her parent’s DNA or by her ID card? Can she be identified by a family portrait, by biometrics or the love of those around her, including her Colombian boyfriend? Is she prettier now?

Eva, a woman without a mouth, is stalked at night by the shadow of a monster who was responsible for stealing it. Annoyed by its presence, she decides to chase it and ventures into a new universe where the remnants of stolen faces are hidden. Eva will fight against the creature and try to regain her voice.