El Tiempo Y La Memoria

Damian is a married artist living in Los Angeles with his wife. After Damian accidentally hits a woman with his car and flees the scene, he seeks atonement and travels alone to Mexico, both to find peace and to reconnect with his family roots. Assisted by local guide Arce, Damian locates his grandmother's resting place and searches for redemption through a long trek in the arid wilderness of his ancestral land.

Carlos is a time traveler, and he takes advantage of women with his skill. Until the day he meets Laura, a girl who also can time travel. This is the story of a love relationship beyond the space-time continuum.

Despite the loneliness he experiences living in New York, Miguel remains resiliently motivated to help the family he hasn’t seen in 13 years. Combining dreamlike depictions of Miguels memories of his childhood in Oaxaca, Mexico with his everyday experience as a migrant worker, THE TIME OF THE FIREFLIES is a poignant depiction of the sacrifice many are forced to make in order to support their families.

Documentary about the life of spanish director Edgar Neville.

A film essay that explores the relationship between film and memory, based on the personal memoir of the director. An autobiographical attempt to analyze this relationship going from the individual to the collective. From Chris Marker to Hitchcock and on to Kennedy´s assassination, passing through Fritz Lang and Bruce Willis, the memory of the images is fused with our own story, until they cannot be separated.

It tells the history of Peñarol from 1891 to the 2011 Copa Libertadores, of which the club was vice-champion. After more than six years of production, it brings together more than a hundred interviews carried out with the protagonists of this story: retired and current players, presidents and technical directors of the club, historians, sociologists and many other actors linked to the institution.

In a coastal town with no name and desolated by poverty, the sea suddenly begins to exhale a scent of roses that transforms the lives of all the villagers.

Santiago and Catalina are a young couple living in a quarantined city decimated by a strange disease when a pervasive noise threatens to change their lives completely.

In the 1970s, the first manifestations of gay, lesbian and transvestite rights in Spain took place. In 2005, Spain became the third country in the world to approve same-sex marriage, and today our legislation is one of the more progressive. However, homophobia and invisibility remain a problem for many older people of this group.

Documentary that accompanies ten women of different ages and social contexts during their daily lives, where care work is always present. The documentary reflects how household and care tasks have been assigned mainly to women, which causes social and gender inequality by limiting their educational and work careers in favor of caring for others. The testimonies and experiences of the protagonists make evident the absence of the State in the co-responsibility of care tasks.

There is a journey, down the river of my veins, down my dry forehead and my lips, I have long wanted to tell the river that one day I will be dust and one day the wind itself will be my new voice and my new color

Mexican feature film

Sonia is a former militant of the Montoneros. In the 1970s she was a militant in the JP in the western suburbs of Greater Buenos Aires. She begins her journey to the West, to the past, searching and wondering what remains of that revolutionary practice in the very territory where it was tried and failed. But his initial intention fails and he finds, instead, other things: an unexpected balance and demand from the children of that unbeatable generation; the discovery that in the West there were almost no survivors left, due to a particular form of repression; and the most important thing: he discovers his profound need for reflection in order to bring to an end the most intense and tragic stage of his life.

The time that Rests is a contemplative look at the daily life of the José Horwitz Barak Hospital, one of the oldest psychiatric facilities in Chile, located in the north of Santiago. It is not a film about madness, but about the passing of time in a certain place, which is reflected in simple things, in faces, in objects, nature, places, details, the humanity of the people portrayed. It is a film where every subtle visual and sound element becomes relevant.