Ella Fitzgerald At The Bbc

The Live at Montreux series continues with a travel through time to June 22, 1969, featuring a performance from "The First Lady of Song," Ella Fitzgerald. Featuring fully restored black and white footage and remixed audio in 5.1 and DTS, this program presents a stunning performance from one of the most versatile jazz singers of all time. Joining Fitzgerald in this performance are Tommy Flanagan (piano), Frank de la Rosa (bass), and Ed Thigpen (drums).

The First Lady of Jazz performing live in Cologne, Germany in 1974. Backed by a quartet led by Tommy Flanagan.

Ella Fitzgerald - Live At The North Sea Jazz Festival

Ella Fitzgerald's voice is a phenomenon and unrivalled to this day. She had the perfect pitch and perfect intonation. Ella's voice spanned three octaves, her phrasing seemed effortless. There is almost no style of music, in which she did not excel, and her numerous - now legendary - recordings of the 'Great American Songbook' with pieces of US composers such as George and Ira Gershwin, Harald Arlen, Cole Porter or Duke Ellington, remained a benchmark for the "right" interpretation of those songs for generations of singers. In the film the focus will be on the voice of Ella Fitzgerald. We want to unravel the secret of her voice through many different people (musicians, singers, critics etc.), who will tell about what impact her voice had on them and still has. We want to learn more about Ella´s life to find out what made her sing like she did and only she could.

Some of Ella Fitzgerald's finest performances, captured on BBC programmes from over the years and including such classics songs as Day by Day, Cheek to Cheek and Ev'ry Time We Say Goodbye.

Recorded at Ronnie Scott's in London in 1974 and backed by the Tommy Flanagan Quartet, Ella Fitzgerald performs some of her most famous songs, including George Gershwin's The Man I Love.

The rather dusty black-and-white footage, dating from the summer of 1966, opens with bikinis, beach umbrellas and Foster Grant-shaded sophisticates strolling La Croisette. The scene then shifts to a surprisingly drab hotel suite, where Duke Ellington explains that, though his career had taken him to all corners of the globe, this is his first visit to the French Riviera. Ellington is there, with Ella Fitzgerald, for the Festival International de Jazz at Juan-les-Pins, but, as he enthuses in his introduction, he’s equally eager to indulge his love of modern art with up-close observation of works by Picasso, Calder, Alberto Giacometti and Joan Miró. As any fan of Ellington and/or Fitzgerald is well aware, an edited version of their four-night Côte d’Azur appearance was released in ’66 as a two-record set. That version found its way onto CD in 1997. A year later, a massive, eight-disc compendium served up the Duke and Ella sessions in their entirety.