Ending Is The Beginning The Mitch Lucker Memorial

Two friends want to help their transgender friend migrate illegally, but nothing goes right.

"Dalan" is a film that tells about dead-end life situations that anyone can get into. In the film, several intertwined stories are built around the main plot line - the betrayal of a young wife to her despotic husband.

Russia and Mongolian warriors were shouldered through a good man's ways and struggles in a good man's ways of struggles in a good man's ways and struggles in a good man's way.

Emiliano, a loyal and determined young man shares the dream of becoming a professional soccer player with his best friend, Oliver. However, their lives take an unexpected turn.

It is 2030. Due to the enormous water scarcity, water parks in Spain and Portugal have been dried up. In her swimsuit, director Leonor Martín wanders through the water parks of her youth. In End of Season she muses about the beautiful memories she has from a time when water still flowed freely. What are we giving up in the name of progress?

Natalka is a bright nine-year old narrator of this Silesian story. She lives with her family in the little village of Nieboczowy, which in fact disappeared in 2020 – all the residents were resettled as the area was to be used as a construction site for a retention reservoir.

Two twenty-somethings from Latvia meet in the south of France. Leo studies restoration, Anna has lived in Marseille for some time and works as a hairdresser. Also, she looks very much like the image of a girl that Leo has uncovered restoring an altar painting.

We could say that this is the story of one of that dates told in six chapters. Nothing else. Everybody knows the rest of the tale.

1645. Guadeloupe. Ibátali, a Kalinago native and wife of a French colonist, leads Olaudah, an escaped African captive, on a journey where he may lose his freedom and his life. She is ready to sacrifice him to save her own skin. But their wounds bring them together. Will this be enough to make them something other than what colonisation has decided they should be: a savage to be exterminated, an African to be enslaved?

The motel room destroyed, a hell of a hangover and a dead body; the world really should have ended.

Shot in early 2004 during the commemoration of the bicentennial of Haiti, this film offers a unique light on the last days to the presidency of Aristide, former priest of the poor became apprentice dictator. It is a reflection on the history of the first black republic in the world, a nation shared between the memory of its glorious revolution and the tragic litany of despots that have overwhelmed it since its independence.

About the exposure by Soviet intelligence officers of the neo-Nazi organization "Black Knights", which tried to revive the fascist movement in Europe.

Sake Bombs and Happy Endings is live concert by Sum 41 filmed in Tokyo Bay NK Hall in Urayasu, Japan on May 17, 2003.

It’s Raining, It’s The End

In this documentary we discover the dangerously funny cartoonist Mr. Fish, struggling to make a living in an industry that is dying out.

Alone on stage, at the dawn of his forties, Fabrice Luchini renders the reflections of the suburban doctor Louis-Ferdinand Céline. Benoît Jacquot, with his nuanced black and white, films the actor impregnated with words full of pain.

A false prophet attempts to exploit news of the apocalypse to deceive people into becoming his followers, but many people simply dismiss him as insignificant.

Beatriz is depressed but she doesn’t know it. Every weekend she is out partying with her friend Laura. But she feels something is amiss, a strange revelation insinuating something has changed.

Luísa, 16 years old, faces a loss for what she is not prepared.

The independent work accompanies the beginning of the artistic trajectory of Lyz Parayzo, a visual artist who, through his works and performances, puts into question the space of art in a non-binary body coming from the periphery. Lyz, has the body as the main work support and her daily performance as a research platform revealing the mismatch between what is said, what is done, discourse and practice. For the lack of authorization, for the intrusion, for the unwanted inclusion, questioning the free school that does not allow to be freed, the art gallery that does not include the non-salable, the institutional space that assimilates the transgression since it has already been incorporated by the system.