Favola

It is the story of a terrorist who manages to escape during a transfer by sea and lands on a remote desert island where there is a large mansion inhabited by a little girl about 9 years old, a girl of 18, and their housekeeper.

After twenty years, five high school classmates meet again at Daniele's wedding, the only one who has built a career for himself. During a long weekend in Switzerland, the five friends rediscover the affection and complicity of the past, and they get a chance to straighten out their destinies. A whirlwind of misunderstandings will bring down their shaky balances, and they'll all find the courage to put themselves on the line and start their lives afresh

Teresa, a young saleswoman of a music shop, meets Alfonso, with whom she falls in love.

Two housewives in America in the 1950s, Mrs Fairytale and her best friend Mrs Emerald, meet every day to share their quiet and bourgeois lives, but the façade of perfection slowly crumbles to reveal terrible secrets.

Gigi and Alice are married when they rear-end a young couple: she's about to give birth so Gigi and Alice take them to the hospital and then find out the young couple don't have a lot of money so they decide to help them financially.

Claude Goretta brings to life the age-old tale of Orpheus and Eurydice in a fresh adaptation of Monteverdi’s Orfeo. Monteverdi’s fabled opera Orfeo was long described as the first opera to have been written. Although modern scholarship has proven this to be untrue, the work remains one of the pillars of western music history, a musical creation which laid the foundations for much of what was to come. As musicologist Jack Westrup explains, Orfeo marked a major milestone not because it broke new ground, but because imagination had taken precedence over theory. While Monteverdi may not have been a revolutionary, his music represents the culmination of centuries of musical evolution, and shows him as the clear master of both polyphony and monody.

First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’

Scriptwriter Tonino Guerra talks about his encounter with the artist Giorgio Morandi - a man who treated his paintbrushes as his best friends.

Inspired by an unaccomplished personal project, in this animation I’m exploring ideas of intention, extension and failed romanticism. I used images and texts from mass produced postcards, packaging, calendar booklets, books, posters and pamphlets that were created and used as political propaganda devices for the invasion of Ethiopia by Fascist Italy during WWII. Some of these prints were on the front covers of school notebooks, some were games that taught the geography, history, and natural resources of Ethiopia. In some games, the winner was the first to capture the capital city, Addis Ababa. — EW

The series follows 14-year-old Emma Alonso, as she moves to Miami and her life turns upside-down. Not only does she discover that she is a witch, she also has a crush on the boy next door, Daniel. But Daniel’s ex-girlfriend Maddie, who is an 'evil witch' and leader of the school clique the 'Panthers', is still willing to fight for the boy she loves.