Frontière S

Two children: they separate in the game but the dream reunites them beyond the borders...

A road trip, over ten years, across the so-called Amexican border, a mythical boundary, both physical and cultural, that separates the United States of America from the United Mexican States; a journey in search of the multiple stories of those who inhabit it or are passing through: an audacious expedition that aims to paint a colorful fresco where politics, violence, visual poetry and frustrated ambitions cruelly coexist.

Oliver and Chris, a couple in crisis, meet another couple, Tommy and Greta, radiating happiness. The latter offer them to come and stay in the guest house they have just opened. Oliver and Chris hesitate and then accept, entering a world far removed from their own, which will upset all their bearings.

Director Leon de Winter has taken a thriller with political and psychological overtones, and scrambled it into a series of vignettes that are mixed-up in time and in location, thereby dashing any hope of following the story. A journalist goes to a southern European country to interview a well-known terrorist who has refused to stop his activities even though the revolution he fought for ended successfully five years earlier. Questions are raised about adopting violence as a way of life without at first realizing it and about the seeming impossibility of raising the consciousness of backwater cultures. Perhaps because of the way the story has been filleted into fragments, characters like the journalist and terrorist do not have enough continuous screen time to build up their individuality, a second factor that makes it difficult to become involved in the drama.

How far may man intervene in creation to save what he loves? Kaito has constructed an android, Akira, who is deeply devoted to him. But after the death of his brother Haruki, Kaito turns his back on Akira. The latter lets himself be recruited by OSI employees to take part in a Mars mission. He seems to be the right candidate, as he is completely unfeeling. But is he really? And is Haruki really dead?

De Armas' last production, La frontera (1967), is a cartoon with an implausible plasticity recreated from geometric figures. This anime evokes the geopolitical conflicts of “the border and ends up turning the disputed land into the space of both opponents. However, even though it is less introspective than other of his materials, La frontera is also a trigger for artistic experimentation.

One spring day when it rained. While watering the paddy fields, Geumryong gets into a fight with the neighboring young man Kokibong, but accidentally kills him. Geum-ryong is sentenced to three years in prison. Meanwhile, Go Young-ran, who is engaged to Geum-ryong, runs away from home because her parents force her to marry someone else. Geum-ryong, who has been released from prison, finds Yeong-ran, but she has become a bar clerk. However, she sees Young-ran, who is still guarding Jeongjo, and she starts anew with Young-ran.

Maité goes to the city of Laayoune where Dahmane is waiting for het to produce a documentary program about the Moroccan Sahara. the reality she discovers there does not match at all what she could have figured out....

Texas, 1848. Families are being forced off their land by the settlers who come to colonize this unpopulated state. A battle for the land and oil ensues.

The border smuggler leader Lee Geum-ryong had a sweetheart Kim So-young, who was only looking for a chance to escape. Geum-ryong's subordinate, Jeon Taek-i, is in love with So-yeong, but helps So-yeong to escape from the smuggling lair. Geumryong's gang pursues and a fight breaks out, and Jeon-taek uses all his might to defeat the gang and crosses the border with So-yeong.

During a random check, the commander of the Czech Customs Unit notices that there are immigrants in the back of a van. In the turmoil that followed, a minor is injured while trying to escape into the forest. The officers scatter the woods to look for the boy who managed to escape. Their aim is to find him and cover up the event. When the child's father refuses to cooperate, the incident becomes insurmountable and the officers start to mistreat the refugees. It is a fairly harsh short film about human emotions and views against immigrants.

Natalia follows her mother’s wish and returns with her to her home in Luhansk, in the days before the Russian invasion of Ukraine.

Set in a coastal city in China, [Frontier] describes the friendship between two kids - a local Han boy and a Uygur boy, who just moved to this city. Their friendship is greatly influenced by social prejudice and cultural differences.

Barbara, a journalist in the beginning of the 20th century, searches in the border between Portugal and Galicia a bandit called El Argentino. In her travel she meets two men that say that they belong to his gang.

This heartfelt documentary from award-winning filmmaker Mai Masri explores the enduring friendship that evolves between two Palestinian girls—Mona, who was born and raised in the economically marginalized Shatila refugee camp in Beirut, and Manar, who lives in the Dheisha refugee camp under Israeli control. The two girls begin their friendship as penpals, sharing the similarities and differences of life in the two refugee camps. Mona and Manar are finally able to meet face-to-face at the Lebanese-Israeli border during Israel's withdrawal from South Lebanon. But when the second intifada suddenly erupts around them shortly thereafter, both girls must face heart-breaking changes in their lives.

In November 2008, a live concert of Macross Frontier's music was performed by May'n, Megumi Nakajima, and Yoko Kanno.