Fugue

In the heart of the Peruvian Amazon, Saor, a young androgynous Indian, carries a coffin. He is taking Valentina, his lover, back to her native village to bury her. When Valentina left this village years ago, before becoming a transgender singer in a faraway city, people here knew her as Pol. Valentina's past and death remain an enigma. Yet bit by bit, through his encounters with the people of the village, Saor begins to perceive what connected them to Pol. Sensitive to the world around him, Saor, like a Shaman, enters their memories. Saor starts to understand that, like all homosexuals persecuted by Shining Path terrorists, Pol lived in terror. In the village cemetery, between rage and bitterness, Saor attends the burial of Valentina's body. A ceremony that is both a burial and an exhumation.

Mozart, the name we know him by, has to deal with a chaotic life. Between his small town and the countryside, between love and abandonment, between struggles and little joys, between rave parties and job hunting, this tall guy in his late thirties walks his path as best as he can. At the crossroads between worlds, he experiences life's trials and tribulations, its absurdity and, sometimes, its beauty.

Alicja suffers from memory loss and has rebuilt her own free spirited way of life. Two years later, she returns to her former family to assume against her will her role as wife, mother and daughter.

Directed by French author Geroges Perec, Les Lieux d'une fugue is an autobiographical account of the writer's experience of running away from his aunt's house at age 11. As much a meditation on the streets of Paris as it is personal narrative, Les Lieux d'une fugue examines how Perec's verbal games play out alongside a movie camera.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

After falling in love with a young man (Edouard Mathé), Lilie/Lily abandoned her family and eloped, only to comes back with an illegitimate child.

Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert's friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.

A young student takes lessons with a piano teacher.

An unlikely rapport develops between a damaged woman recovering in a hospital and a lonely little boy.

Patrick, a travel agent in his early 30s, lives with Arthur, an immigration lawyer; but for a long time, Patrick has been sleeping on an air mattress on the floor of their bedroom. His younger brother, Tony, plans to marry his high school sweetheart but is having an affair that is far more satisfying than his relationship with his fiancee. Their older brother, Ryan, is divorced, living at home and working at his parents’ hopelessly unprofitable men’s clothing store. And McCauley soon makes achingly clear that the parents’ marriage is far from happy.

A boy with a hidden life and a mother desperately trying to reach out.

The relationships between the stained glass rosettes and the floral forms, between the architectural geometry and that, random, of the branches of trees form a dazzling catalog of plastic obsessions of an era.

Having just finished building a time machine, an inventor tries to show it off to impress his childhood friend.

Luis, a dancer and classical ballet teacher, experiences a connection between himself and dance despite his old age.

The action of the film covers the 50 – 90s of the last century. The author refers to his childhood memories. On this basis, through the refraction of real historical events, a story grows-a reflection on the generation that lived in the USSR, on the formation of a creative personality.

A movie filmed almost entirely in the interior of a house on the outskirts of S.C. de Bariloche, on the shores of Nahuel Huapi Lake, over the course of one full winter and the beginning of a spring. The camera, through frame-by-frame tracking and panning shots, goes along revealing furniture, corners, objects and books, using rails in the first instance and a calibrated disk mounted on a tripod in the second. The house vibrates with its own life, revealing almost ghostlike traces and vestiges while the human presence is barely suggested. These shots alternate with others of the landscape: a lake, snow, bushes rattled by the wind, the passing of the seasons, external signs that accentuate the solitude of the interior spaces.

The film shows the process of evoking feelings and searching for landscape specificity by recounting events which have taken place in the scenery.

Early experimental animation by Takashi Ishida

Japan's first computer generated animation

A private detective investigates the disappearance of an ordinary young man, Gonzalo Sánchez. Through a rigorous investigation, the detective will discover secrets that will lead him to doubt the reasons for the disappearance and the nature of Gonzalo.