Garden Of Delight The Final Gig

Charlo and Carla are on their honeymoon. She is three months pregnant. He, furious about his marriage of convenience, recalls the past and ponders on The Garden of Earthly Delights by Hieronymus Bosch, dear to the Surrealists. While she is bleeding, he spends the night with a beautiful stranger...

The greedy relatives of a paralysed 45-year-old amnesiac millionaire go to extreme lengths to help him recover his memory.

Filmed by Jean Eustache for the television program, Les Enthousiastes, Hieronymus Bosch's Garden of Delights presents a series of unstructured observations, free associations, and interpretations on the third panel of Bosch's well-known oil on wood triptych.

The male and female protagonists are like the physical incarnations of Adam and Eve in Bosch’s masterpiece "The Garden of Pleasure". The film has become a living record of life and death.

In the garden of delights, a visitor from the underworld discovers that color and madness will be the ingredients to create his own universe.

A devil discovers the gift of creation mixing animals with surprising results. In his quest to transform all, he realizes that one has eluded him, he will fall prey to its charm.

Fukano, an elderly novelist who grew up in the mountains of Tokyo, met a young woman, Kana, for the first time in Fukagawa. Overcoming the age difference, they are strongly attracted to each other. However, in Fukano, in addition to the problem of downtown and uptown, there was a deep “river” that separated women and men. However, Kana, on the other hand, easily crossed that "river" due to her sexual love with Fukano. "I never thought I'd live west of the Sumida River," Kana said. However, behind this lies the conspiracy of Fukano's old lover, Junko. The two get married, but Kana's behavior is gradually haunted by a mystery, and the shadow of her detective and old man flickers. The core of the mystery involved a strange sex shop

When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist's work becomes the background for their physical passion and emotional discovery.

A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot.

An eleven year old meth addict struggles to survive in the slums of an Asian metropolis. Meanwhile, a Dutch sex tourist enters the city, torn by his dark desires.

There is a place of flowers where monsters and angels meet. There is a time in which angels are spellbound and destroyed in their innocence, fascinated by the magic of monsters. This film is that moment when innocence is contaminated by nightmare and an angel becomes the monster.

Glimpses of Hieronymus Bosch's The Garden of Earthly Delights (1495) are repainted through a VHS video mixing board.

Dreamers experience touch, smell, and sound in a virtual world called Dreamland. They enter a world of sexual adventure, stimulation, and visual sensation.

Three scenes reflecting on paradise, lust and hell. In 'The Garden of Delight' beauty and evil go together like in a dream. We dive into a world of erotic derangement, inhabited by dancing lovers, lustful mutated baboons, tropical birds, deformed pin-ups, butterflies and body-builders. This hand-manipulated collage film, made entirely out of 35 and 8mm found-footage, explores the marriage between heaven and hell, our irresolvable endless conflict that goes with human nature. Inspired on the triptych 'The Garden of Delight' by Jheronimus Bosch.

Includes a interview and the last concert of the original line-up of The Garden of Delight in Derby 27/10/1997

A visual duet consisting of a 16mm film and a 16mm photogram self-portrait collage. It is inspired by earthly pleasures and wonders as revealed in the vibrant marvels of Stan Brakhage's cinema and in the central panel of the 1504 triptych by Hieronymous Bosch titled “The Garden of Earthly Delights.”

For Garden of Earthly Delights (2016), Zhou collaborated with a puppet-theater troupe from Taishun. Set between the idyllic landscape of south Zhejiang and its decaying industrial zones, the film’s voiceover adapts the quotations of Zhuangzi, whose paradoxes are prompts to philosophical speculation. The marionette figures allude to the Daoist myth of the Eight Immortals as well as the eponymous hellscape by Dutch Renaissance painter Hieronymus Bosch, who also lends a title to Ship of Fools (2018). In this sculptural installation the eight immortals from The Garden of Earthly Delights are presented on their passage across the sea. A motor shakes the boat, though whether its passengers are in the grip of divine revelation, delirium, or madness is left to the viewer to decide.

Set on Christmas Eve, eight days after the war ends, survivor Kate discovers a mysterious radio signal and befriends the voice. As she embarks on a journey to find its origins, Kate encounters the isolation and horror of a nuclear war and the failed hope of those who survived.