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In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.

HipHop as a language and an outlet for young people: The film follows the youngest class members of a dance academy on their way to becoming professional dancers. Many of the students come from the socially deprived areas of Paris. Accompanied by a pulsating, dancing camera that pulls the audience right into the action, the film negotiates themes such as origins, pains, dreams and hopes.

Lost in Paris, Cléo is looking for Paul and Paul is looking for Cléo. A poetic adventure lived in 3-year-old kids' shoes.

While some of them flirt with the limits, others are dropouts or in school reintegration, they are seventeen students to follow the Defense Class at the Japy vocational school in Lyon. An option of two hours per week provided by the military to these high school students in great difficulty. School and army, a rapprochement that may seem unlikely. In a society in loss of bearings, this course can allow these young people in lack of belonging to redefine "doing Nation". What values ​​can the army instil in them? What will be the real scope?

In 1915, in the atmosphere of a French village during the First World War, we follow a teen boy who discovers the reality of war and leaves for the front in order to restore the sullied honor of his father who was executed for desertion.

After completing his military training, young Léo, a taciturn soldier with family problems and secret addictions, is assigned to one of the units that patrol the streets of Paris in search of possible terrorist threats as part of Operation Sentinelle.

Volodymyr Kalnenko is a freelance artist-painter who was recognized in St. Petersburg, had a wide circle of communication, money, and a workshop. After returning to Ukraine, everything changed dramatically. The artist faces great challenges. After all, every creator is thin-skinned before the gray everyday life. The hero involuntarily confesses, having come to the conclusion that while God allows painting, it is necessary.