Hearts Of Darkness The Making Of The Final Friday

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

The French Special Forces are deployed in Iraq, on the eve of the battle of Mosul, in October 2016. The members of this commando have the mission of finding and exfiltrating the daughter and the grandson of an important French Emir of Daesh who captured and who will cooperate with them only on this condition.

In 1993, Jason Voorhees went to hell in what is one of the most polarizing instalments in the franchise. The Dark Heart of Jason Voorhees, produced by The Final Friday's director Adam Marcus & Creator Nick Hunt, goes behind the scenes and provides a never-before-seen look at the 9th instalment of one of the most iconic franchises in the horror genre.

Sanna is the 21-year-old daughter of a rich landowner in southern Sweden. Her father, Bengt, makes his fortune by leasing his vast expanse of inherited land to hardworking family farmers, many of whom struggle to make ends meet. Stern and unyielding, Bengt holds influence over those less fortunate, while Sanna struggles with the idea of becoming his heir apparent. When she begins a relationship with Marcus, the penniless son of a nearby farmer, her father issues an ultimatum — leave Marcus or lose her inheritance.

Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?

A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.

The sequel to the blockbuster Argentinean smash hit. After ten years, Oliverio is still intrigued by the works of great poets and continues to search for true love. When he meets the beautiful... The sequel to the blockbuster Argentinean smash hit. After ten years, Oliverio is still intrigued by the works of great poets and continues to search for true love. When he meets the beautiful Miranda, she suggests that they both move in together and find jobs. Oliviero, however, leaves Miranda in search of his first love Ana who he met ten years prior. Once in Barcelona, he realizes that Ana's life has drastically changed and their love is in the past. Soon, he meets poet and circus performer, Alejandra. Oliviero becomes smitten and desperately tries bond with her, but she makes things a little more difficult that he ever imagined.

Nikolaï was abandoned at birth and has been in foster care ever since. Although a family would like to give the sixteen-year-old boy a home, he decides to make one himself. He meets Camille, an intriguing fifteen-year-old wiseacre, and tries to convince her to make a child together. Nikolaï is convinced that he can handle any problem and wants to avoid at all costs that an adult thwarts his plans. Camille and Nikolaï flee together from the home and isolate themselves in the woods. In the heart of this gloomy, mysterious forest, Nikolaï will have to face his first feelings and learn to become a man. Soon, he feels that there are many things he cannot control.

A woman's life is destroyed when she discovers that her husband has another family.

When Liv’s criminal mother is arrested, she has to move into a girls’ residential group. There, caught between her past and a new love interest, she must decide for the first time on how to continue her life.

Four war-veterans, from different sides, step onto a boat at the mouth of the Kwando river, deep within the African interior. They are on a journey back to the battlefield, the site of the last "great" battle of the Cold War - its inconclusive and a very secret Armageddon, where they as youngsters, once tried to kill each other. But now, twenty years later, they've come together as former enemies, a new unit of disparate souls joined together not only by the common haunting of war trauma, but also by their need to understand, to reconcile, to forgive.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

Rio de Janeiro, near future. Marlow is a police officer assigned to a mission to find Captain Kurtz, a famous policeman who went missing in mysterious circumstances. Marlow has to do his mission in a boat, undertaking a dangerous journey through the outskirts of Rio de Janeiro.

A girl searches for happiness, so she resorts to marrying a rich man to fulfill her ambitions, and leaves her poor lover. She discovers that he is an employee of her husband and that he is trusted, so she tries to restore her love.

Three members of the Cosa Nostra, the Sicilian Mafia, who were captured in the early nineties and cooperated with the authorities in exchange for immunity, tell how they became criminals, what their experiences were within the bloody organization and how they managed to leave it.

One of the great iconic filmmakers of the horror genre returns with one of the final projects he will manage in his lifetime.

A team of tenacious detectives study the minds of murderers at a time when Korea's first serial murders terrorized the nation. Based on true events.