Hollywood Hollywood

A PR man for a low-budget movie studio comes up with what he believes is the perfect gimmick--to make a gangster picture with a real mobster in the lead role.

A unique portrait of how art and activism for black people in film are indivisible from race and cinema.

W.C.Fields enters the Warmer Bros. Studio. Beans tries to drive in, but the guard throws him and his car against a tree. Charlie Chaplin drives in, followed by Oliver Hardy on foot - but we see that it's really Beans in disguise. Oliver Owl is directing a picture; Beans sneaks onto the stage. He's watching from a catwalk when someone knocks him off, into the middle of the scene. Beans is thrown off the set, right into the set of a Frankenstein movie. He accidentally brings the robotic monster to life, and it crashes into the original studio, eating the camera. Beans tries to stop the monster, but is sent flying. He lands against a wind machine. which chops up the monster.

Hollywood Greats was a BBC Television series, which began in 1977. The film critic Barry Norman wrote and narrated a series of in depth profiles on major Hollywood film personalities, in which he interviewed surviving associates. He later made a series called British Greats in 1980. A series of books, entitled The Hollywood Greats, The Movie Greats and The British Greats, which were authored by Norman were subsequently published. A series of the same name was later presented by Jonathan Ross from 1999 to 2006.

Some celebrate him as a sex symbol and the most interesting actor of our time. Envious people talk about his smooth face, his washboard stomach, and thus explain his fame. It is undisputed that Ryan Gosling is one of the most successful actors of our decade.

Joe Gavilan and his new partner K. C. Calden, are detectives on the beat in Tinseltown. Neither one of them really wants to be a cop, Gavilan moonlights as a real estate broker, and Calden is an aspiring actor moonlighting as a yoga instructor. When the two are assigned a big case they must work out whether they want to solve the case or follow their hearts.

Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie's staunch support? Literally and figuratively, the proof is the picture.

Hollywood Wives tells the stories of several women in Hollywood, from powerful talent agents and screenwriters to vivacious screen vixens and young, innocent newcomers.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Jimmy Durante is jungle movie star Schnarzan the Conqueror, but the public is tiring of his fake lions. When Baron Munchausen comes to town with real man-eating lions, Durante throws him a big Hollywood star-studded party so that he might use the lions in his next movie. But, his film rival sneaks into the party to buy the lions before Durante.

All his life, Adrien Perreti looked like a girl. So, whatever: he decided to become a diva, in Hollywood...by accident.

This documentary traces the relationship of Buñuel with American culture and Hollywood. The program proposes a chronological journey through the Aragonese filmmaker stays in the U.S., the characters he met, the films he made and he could never do. The program also includes new material-unpublished until 2012 - the Aragonese director filmed in the U.S. in the early 1940s and where he can be seen playing one of their children or enjoying a short holiday in a cottage.

The Babylonian sets constructed in Hollywood for David W. Griffith’s 1916 film Intolerance immediately became part of cinematic folklore. They were over 40 metres high, 60 metres wide and 120 metres in depth, and the precision of the architectural details displays a maniacal attention to documentary-like accuracy.

Once a successful Syrian actor, Jihad Abdo is now struggling as a refugee while trying to reinvent his life and rebuild his career.

Once a successful Syrian actor, Jihad Abdo is now struggling as a refugee while trying to reinvent his life and rebuild his career.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

Hollywood in Vienna is an annual film music gala hosted in the Vienna Concert Hall where the Max Steiner Film Music Achievement Award is presented.