I Saw What You Did

All Linda wants to do is sleep but her dog Max won't stop barking. If only she knew what the dog saw…

Three figures - man, woman, child - roam the grounds of a State Mental Hospital, a kind of hell on earth, looking for each other or for a supreme witness to their loneliness. A visual poem with voices off.

Cassandra discovers by accident the Bureau of Shadows, responsible for making, measuring and resizing our shadows while we are asleep, in this post-modern fairy tale.

Director James Fox assembled the most credible UFO witnesses from around the world to testify at The National Press Club in Washington D.C.: Air Force Generals, astronauts, military and commercial pilots, government and FAA officials from seven countries tell stories that, as Governor Fife Symington from Arizona stated, "will challenge your reality".

In the future, capital punishment has been abolished. Violent criminals are reprogrammed into unquestioning servants, their free will and ability to speak taken away. A young woman endures her punishment of servitude in a seemingly normal man's home, where she discovers dark secrets.

I Saw What You Did is a 1988 television film directed by Fred Walton. The film is a remake of the 1965 movie of the same name, starring Joan Crawford. It received generally negative reviews, with only a few exceptions. Nevertheless, it won an Emmy Award in the category Outstanding Cinematography for a Miniseries or a Special.

A look at what happened when former semi-pro hockey player Thomas Clayton found his wife, Kelley Clayton, murdered in their New York home one night after a late poker game, he called 911 in distress. But as police investigated, they discovered evidence calling Thomas’s motives into question and sensed something more sinister at play.

"After the success of his feature film 'Masala,' Srinivas Krishna returns to personal filmmaking with 'Tell Me What You Saw', a lush meditation on bucolic pleasures and a formally precise and emotionally engaging study of the properties of light." - Toronto International Film Festival

Travel through time with Bill Whittle and relive key moments in American history like never before.

A carefully selected collection of hair-raising horror stories actually experienced by comedians! A variety of urban truths that can never be broadcast on TV. And then, something happened during the recording!

An artist trapped in his Lower Manhattan loft by the disaster of September 11th faxes drawings of what he sees through his window to a friend in Dublin.

Featuring those who are and have been close to me.

Join us for a truly historic event. At the National Press Club in Washington D.C., an unprecedented gathering of top military and government officials from around the world appeared before members of the Press to present to the public alarming facts about UFOs and an extraterrestrial presence now engaging the planet Earth. This presentation provides live coverage of that historic press conference.

A dance film shot inside the medieval walls of the Cloisters in Manhattan. It shows a young woman who becomes aware of the cosmic forces, forces which inhabit her.

DAYS, I See what I Saw and what I will See explores the notion of producing a continuous representation of space and a discontinuous representation of time. The film was shot over eleven days, from 24 February to 6 March 2011, in a Labor Camp in Sajaa, Sharjah, United Arab Emirates. Melik Ohanian built 100 meters of tracks to make traveling shots. Each day he installed the tracks and then filmed the 100 meters in approximately four minutes. The next day, he dismantled the tracks, re-assembled them and moved them 100 meters ahead – and film again. He did this for eleven consecutive days, shooting both during the day and at night. The incremental editing of the daily footage produced two singular films representing 1100 meters of space and forty-two minutes of time.

Short film with sound by Rudy Burckhardt, assembled from the footage shot by Joseph Cornell for his own silent "Mulberry Street."

Blood Brothers- While coming of age in the inner city, Darryl Crawford, a young African-American man, witnesses a gang-related murder and is horrified to discover that his beloved older brother Sly is one of the perps. Darryl grapples with his conscience over informing on Sly -- but this fear becomes secondary when the remaining gang members close in on both brothers and threaten their lives.

A Victorian aristocrat buys a former madhouse and converts it into a "love nest" to woo and bed Alice, the lovely blonde Minister's daughter he meets in an art gallery.

The scene opens in an artist's studio, the artist asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, requests him to paint her picture. While the artist is executing the work a clown comes from the clock, takes in the situation and begins to make love to the lady. The artist detects him and compels him to desist his love making. He continues to paint. The clown becomes interested and asks the artist to allow him to paint the picture, and begins smearing a whitewash brush over the canvas, when lo, a most perfect image of the young lady appears. The image then steps down from the frame, joins the young lady in the studio, and the figures, each a perfect counterpart of the other begin to dance to the great astonishment of the artist. The clown the by waving his hand causes the figures of the two girls to merge into one. The artist then assumes his seat and awakens from his dream with a great shock.